"Fem Latinske Kirkekor: 5. Lauda Anima Mea Dominum" by Arild Sandvold, Kåre Hanken, Schola Cantorum was released on 1996. The duration of Fem Latinske Kirkekor: 5. Lauda Anima Mea Dominum is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Fem Latinske Kirkekor: 5. Lauda Anima Mea Dominum's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Schola Cantorum: Sandvold - Nystedt - Jennefelt - Sæverud". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Norway. In terms of popularity, Fem Latinske Kirkekor: 5. Lauda Anima Mea Dominum is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Fem Latinske Kirkekor: 5. Lauda Anima Mea Dominum by Arild Sandvold, Kåre Hanken, Schola Cantorum having a テンポ of 105 with a half-time of 52 テンポ and a double-time of 210 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Preces and Responses | Joanna Forbes L'Estrange, London Voices, Grace Davidson, Ben Parry | D Major | 1 | 10B | 80 BPM | ||
Weihnachtslieder, Op. 8: No. 3, The Three Kings (Arr. Atkins/Park) | Peter Cornelius, Owain Park, The Gesualdo Six | G Major | 1 | 9B | 95 BPM | ||
Simple Mass: Kyrie | Giovanni Monti, Coro Polifonico Lumina Vocis | F♯ Major | 3 | 2B | 135 BPM | ||
Vier Lieder aus dem Jungbrunnen, Op. 44: II. Die Berge sind spitz | Johannes Brahms, Paul Heyse, Kvindelige Studenters Sangforening, Marit Tøndel Bodsberg | C Minor | 0 | 5A | 95 BPM | ||
The Day You Gave Us, Lord, Is Ended (Arr. Michael Leighton Jones) | The Choir of Trinity College, Melbourne, Jonathan Bradley, Michael Leighton Jones | G Major | 2 | 9B | 83 BPM | ||
The Huron Carol | Sofia Kammarkör, Henrik Arlestrand, Robert B. Anderson | G Minor | 1 | 6A | 81 BPM | ||
Dormir Profundamente | Music For child Relax | D Minor | 0 | 7A | 66 BPM | ||
Missa Sanctae Crucis, MH 56: Gloria | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | G Major | 3 | 9B | 121 BPM | ||
Seven Songs: I. I Have a Bird | Sally Beamish, Emily Dickinson, The St Catharine's Girls' Choir, Cambridge, Edward Wickham | G Major | 0 | 9B | 76 BPM | ||
Qui confidunt | Kryštof Harant, Cappella Mariana, Vojtěch Semerád | A Minor | 1 | 8A | 82 BPM |