"Le carnaval des animaux, R. 125: 13. Le cygne" by Camille Saint-Saëns, Wolfgang Herzer, Alfons Kontarsky, Aloys Kontarsky, Karl Böhm was released on January 1, 2009. The duration of Le carnaval des animaux, R. 125: 13. Le cygne is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Le carnaval des animaux, R. 125: 13. Le cygne's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 7 in the song's album "Saint-Saens: Carnival of the Animals". In this album, this song's track order is #6. In terms of popularity, Le carnaval des animaux, R. 125: 13. Le cygne is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Le carnaval des animaux, R. 125: 13. Le cygne by Camille Saint-Saëns, Wolfgang Herzer, Alfons Kontarsky, Aloys Kontarsky, Karl Böhm having a テンポ of 101 with a half-time of 50 テンポ and a double-time of 202 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pavane, Op. 50 (Arr. for Chamber Ensemble) | Gabriel Fauré, François Salque, Eric Le Sage | C Major | 4 | 8B | 67 BPM | ||
Suite española, Op. 47: Asturias (Leyenda) - Excerpt | Isaac Albéniz, Narciso Yepes | E Minor | 1 | 9A | 82 BPM | ||
Waldszenen, Op. 82: No. 7 Vogel als Prophet | Robert Schumann, Wilhelm Kempff | E Major | 0 | 12B | 120 BPM | ||
Fauré: Pavane, Op. 50 | Gabriel Fauré, Sir Neville Marriner, Academy of St. Martin in the Fields | F♯ Minor | 1 | 11A | 70 BPM | ||
Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude | César Franck, Aldo Ciccolini | B Minor | 0 | 10A | 127 BPM | ||
Kinderszenen, Op. 15: VII. Träumerei | Robert Schumann, Martin Stadtfeld | A Major | 1 | 11B | 116 BPM | ||
Songs My Mother Taught Me (from "Gypsy Songs", Op. 55, No. 4) | Antonín Dvořák, Yo-Yo Ma, Kathryn Stott | B Minor | 0 | 10A | 92 BPM | ||
L'Arlésienne Suite No. 2: Menuet | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 128 BPM | ||
Massenet: Thaïs, Act 2: Méditation. Andante religioso | Jules Massenet, Renaud Capuçon, Daniel Harding, Deutsche Kammerphilharmonie Bremen | E Minor | 1 | 9A | 94 BPM | ||
Carnival of the Animals, R. 125: XIII. The Swan | Camille Saint-Saëns, Marian Lapsansky, Peter Toperczer, Slovak Radio Symphony Orchestra, Ondrej Lenard | G Major | 0 | 9B | 79 BPM |