"Hänsel und Gretel / Act 3: "Wo bin ich? Wach'ich? Ist es ein Traum?"" by Engelbert Humperdinck, Edita Gruberova, Ann Murray, Staatskapelle Dresden, Sir Colin Davis was released on January 1, 1993. The duration of Hänsel und Gretel / Act 3: "Wo bin ich? Wach'ich? Ist es ein Traum?" is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Hänsel und Gretel / Act 3: "Wo bin ich? Wach'ich? Ist es ein Traum?"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Engelbert Humperdinck, Ann Murray, Edita Gruberova, Franz Grundheber, Gwyneth Jones, Staatskapelle Dresden, Sir Colin Davis, Christa Ludwig's "Humperdinck: Hänsel und Gretel" album is number 3 out of 26. Hänsel und Gretel / Act 3: "Wo bin ich? Wach'ich? Ist es ein Traum?" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Hänsel und Gretel / Act 3: "Wo bin ich? Wach'ich? Ist es ein Traum?" by Engelbert Humperdinck, Edita Gruberova, Ann Murray, Staatskapelle Dresden, Sir Colin Davis to be Andante (at a walking pace) because the track has a tempo of 88 テンポ, a half-time of 44テンポ, and a double-time of 176 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Two Elegiac Melodies, Op.34: 1. Heart-Wounds | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | A♭ Major | 0 | 4B | 115 BPM | ||
Mass No. 7 in B-Flat Major, Hob. XXII:7, "Missa brevis Sancti Joannis de Deo", "Kleine Orgelsolomesse" (Little Organ Mass): Kyrie | Joseph Haydn, Ann Hoyt, Trinity Church Choir, New York, Dongsok Shin, Rebel Baroque Orchestra, Owen Burdick | B♭ Major | 2 | 6B | 99 BPM | ||
Mahler: Symphony No. 2, "Resurrection": IV. Urlicht, "Der Mensch liegt in grösster Not" (Alto). Sehr feierlich, aber schlicht | Gustav Mahler, Sir Simon Rattle, Berliner Philharmoniker | D♭ Major | 0 | 3B | 137 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Le roi s'amuse: Madrigal | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 0 | 11B | 82 BPM | ||
Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Chorus of Spirits: "In der Tiefe wohnt das Licht" | Franz Schubert, Gewandhausorchester, Kurt Masur, MDR Leipzig Radio Chorus | G Major | 0 | 9B | 85 BPM | ||
The Snow Maiden (second version): Dance of the Tumblers (Act III) | Nikolai Rimsky-Korsakov, Sir Neville Marriner, Academy of St. Martin in the Fields | C Major | 2 | 8B | 145 BPM | ||
Humperdinck : Hänsel und Gretel : Act 2 "Der kleine Sandmann bin ich" [The Sandman] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | D Major | 0 | 10B | 132 BPM | ||
Elias, Op. 70, MWV A25, Part I: No. 2, Duet with Choir "Herr, höre unser Gebet!" | Felix Mendelssohn, Delphine Collot, Monica Groop, La Chapelle Royale, Collegium Vocale Gent, Orchestre des Champs-Élysées, Philippe Herreweghe | D Major | 3 | 10B | 109 BPM | ||
Chapter 1 - Hansel and Gretel | Opera for Kids, Engelbert Humperdinck, Peter Baker, Chris Lateano, David Johnston, Gale Van Gott, Eva Russel | F Major | 2 | 7B | 97 BPM |