Bertolt Brecht, Marc Blitzstein, Kurt Weill, Martin Wolfson, Charlotte Rae made "Instead-Of-Song - The Threepenny Opera/1954 Original Broadway Cast/Remastered" available on January 1, 2000. With Instead-Of-Song - The Threepenny Opera/1954 Original Broadway Cast/Remastered being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 23 in the song's album "The Threepenny Opera". In this album, this song's track order is #5. Based on our statistics, Instead-Of-Song - The Threepenny Opera/1954 Original Broadway Cast/Remastered's popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Instead-Of-Song - The Threepenny Opera/1954 Original Broadway Cast/Remastered by Bertolt Brecht, Marc Blitzstein, Kurt Weill, Martin Wolfson, Charlotte Rae having a テンポ of 149 with a half-time of 74 テンポ and a double-time of 298 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Seele der Apartheid | Hanns Dieter Hüsch, Dieter Süverkrüp, Franz Josef Degenhardt, Wolfgang Neuss | D♭ Major | 4 | 3B | 91 BPM | ||
Der Kämpfer | Georg Kreisler | B Minor | 3 | 10A | 111 BPM | ||
Der tote Elefant auf der Einhornparty | Kai Magnus Sting, Matthias Habich, Ulrike Bliefert, Jochen Busse, Henning Venske, Cathleen Gawlich | G Major | 3 | 9B | 97 BPM | ||
Happy End: Der Kleine Leutnant Des Lieben Gottes, Pt. 2 | Kurt Weill, Bertolt Brecht, Philharmonic Symphony Orchestra of London, Wilhelm Brückner-Rüggeberg | D Major | 1 | 10B | 115 BPM | ||
Teil 14 - Pathologisch | Doktor Stratmann | D♭ Minor | 3 | 12A | 122 BPM | ||
Das System ist das System, ja? - Solo Live | Fortuna Ehrenfeld | B Minor | 5 | 10A | 104 BPM | ||
Teil 19 - Folge 10: Der rote Kreis | Edgar Wallace - Filmedition, Edgar Wallace, Trygve Larsen, Karl-Georg Saebisch, Renate Ewert, Klausjürgen Wussow | A Major | 8 | 11B | 95 BPM | ||
Kommt ein Entertainer zum Arzt....1 - Ist das ein Witz? Kommt ein Entertainer zum Arzt ... | Eckart von Hirschhausen, Guido Cantz | A Major | 6 | 11B | 114 BPM | ||
Kapitel 02: Fluch der Silberkugel (Folge 13) | Jan Tenner | G Major | 2 | 9B | 87 BPM | ||
3. Bild: Studierzimmer in Padua (1610) - Teil 01 | Bertolt Brecht, Berliner Ensemble | C Minor | 3 | 5A | 95 BPM |