"Concerto grosso no.1 (1976-77): 4. Cadenza (without tempo marking)" by Alfred Schnittke, Gidon Kremer, Tatiana Grindenko, Yuri Smirnov, Chamber Orchestra of Europe, Heinrich Schiff was released on January 1, 1986. The duration of Concerto grosso no.1 (1976-77): 4. Cadenza (without tempo marking) is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Concerto grosso no.1 (1976-77): 4. Cadenza (without tempo marking)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 9 in the song's album "Schnittke: Concerto grosso No.1; Quasi una sonata; Moz-Art à la Haydn". In this album, this song's track order is #4. In terms of popularity, Concerto grosso no.1 (1976-77): 4. Cadenza (without tempo marking) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Concerto grosso no.1 (1976-77): 4. Cadenza (without tempo marking) by Alfred Schnittke, Gidon Kremer, Tatiana Grindenko, Yuri Smirnov, Chamber Orchestra of Europe, Heinrich Schiff having a テンポ of 96 with a half-time of 48 テンポ and a double-time of 192 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Naqoyqatsi | Philip Glass, Matt Haimovits, Dennis Russell Davies, Cincinnati Symphony Orchestra | E♭ Major | 3 | 5B | 155 BPM | ||
リート FWV 83 | César Franck, 佐藤晴真, 髙木竜馬 | A Major | 1 | 11B | 81 BPM | ||
L'Amour de loin, Premier acte: Traversée | Kaija Saariaho, Kent Nagano, Deutsches Symphonie-Orchester Berlin | B♭ Minor | 3 | 3A | 48 BPM | ||
6 Pieces, Op. 6 (revised version): I. Langsam | Anton Webern, Philharmonia Orchestra, Robert Craft | A Minor | 0 | 8A | 0 BPM | ||
Cold Song’ (What Power Art Thou...) | Henry Purcell, Voces8, Les Inventions, Dingle Yandell | E Minor | 1 | 9A | 134 BPM | ||
Sonata For Solo Cello: I. Dialogo: Adagio, rubato, cantabile | György Ligeti, Miklós Perényi | G Major | 0 | 9B | 69 BPM | ||
Four Dirges, Sz. 45, Op. 9a: 1. Adagio | Béla Bartók, Alexei Lubimov | E Major | 0 | 12B | 0 BPM | ||
Trombone Concerto (arr. A. Schnittke): III. Allegro moderato | Alfred Schnittke, Nino Rota, Christian Lindberg, Tapiola Sinfonietta, Osmo Vänskä | D Major | 0 | 10B | 113 BPM | ||
Requiem: Sanctus | Alfred Schnittke, Annika Eliasson-Frick, Helena Olsson, Susanne Carlstrom, Malena Ernman, Johan Christensson, Jonas Lindeborg, Mikael Oskarsson, Magnus Bengtsson, Anders Kotz, Michael Engstrom, Eric Skarby, Stefan Therstam, Jonny Ronnlund, Fredrik Bjorlin, Rolf Thunander, Bo Soderberg, Swedish Radio Choir, Tõnu Kaljuste | D♭ Major | 0 | 3B | 65 BPM | ||
The Unanswered Question | Charles Ives, Cincinnati Philharmonia Orchestra, Gerhard Samuel | C Major | 0 | 8B | 68 BPM |