"For the Fallen" by Douglas Guest, The Gesualdo Six, Owain Park was released on September 2, 2022. With For the Fallen being less than two minutes long, at 1:28, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in The Gesualdo Six, Neil Cox, Owain Park, Thomas Tallis, Donna McKevitt, John Tavener, Howard Skempton, Cristobal de Morales, William Byrd, Henry Purcell, Douglas Guest, Eleanor Daley, James O'Donnell, Joanna Marsh, Richard Rodney Bennett's "Lux aeterna: A Sequence for the Souls of the Departed" album is number 10 out of 15. On top of that, United Kingdom appears to be the country where this track was created. For the Fallen is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of For the Fallen by Douglas Guest, The Gesualdo Six, Owain Park to be Andante (at a walking pace) because the track has a tempo of 80 テンポ, a half-time of 40テンポ, and a double-time of 160 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
E♭ Minor is the music key of this track. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Os Justi | Anton Bruckner, Bergen Cathedral Choir, Bergen Philharmonic Trombones | C Major | 0 | 8B | 137 BPM | ||
Canticles & Prayers, Having Beheld a Strange Nativity: No. 7, Glory (Fast) | Georgy Sviridov, Latvian Radio Choir, Sigvards Kļava | B Major | 2 | 1B | 135 BPM | ||
Gloria I, Pt. 1 | Coro Laus Deo | B♭ Major | 4 | 6B | 174 BPM | ||
The Sweetheart of the Sun | Eric William Barnum, Choral Arts, Robert Bode | D Major | 1 | 10B | 74 BPM | ||
Scenes from the Saga of King Olaf, Op. 30: As Torrents in Summer | Edward Elgar, Cambridge University Chamber Choir, Christopher Robinson | G Major | 1 | 9B | 75 BPM | ||
Howells: 3 Carol-Anthems: II. A Spotless Rose | Herbert Howells, Westminster Abbey Choir/Douglas Guest/Roger Cleverdon, Douglas Guest | F♯ Minor | 0 | 11A | 74 BPM | ||
Yver, vous n'estes qu'un villain | Claude Debussy, Norddeutscher Figuralchor, Jörg Straube | B Major | 0 | 1B | 78 BPM | ||
Ain't That Good News! | The Graduate Choir, nz, Terence Maskell | F♯ Major | 2 | 2B | 82 BPM | ||
Six chansons: I. La biche | Paul Hindemith, Ensemble vocal Aedes, Mathieu Romano | E Major | 1 | 12B | 120 BPM | ||
Passion Week, Op. 58: II. I See Thy Bridal Chamber | Alexander Gretchaninov, Phoenix Bach Choir, Kansas City Chorale, Charles Bruffy, Caroline Markham, Paul Davidson, Bryan Taylor | A♭ Minor | 1 | 1A | 70 BPM |