Meiko Kaji's 'はぐれ節(テレビ映画「戦国ロック・はぐれ牙」より)' came out on October 25, 1973. With this song being around four minutes long, at 4:22, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in 梶芽衣子オリジナル・ベスト12 -やどかり-, so we believe that "はぐれ節(テレビ映画「戦国ロック・はぐれ牙」より)" is a single. In terms of popularity, はぐれ節(テレビ映画「戦国ロック・はぐれ牙」より) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of はぐれ節(テレビ映画「戦国ロック・はぐれ牙」より) by Meiko Kaji is Moderato (at a moderate speed), since this song has a tempo of 116 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fork in the Road | 金延幸子 | G Major | 6 | 9B | 125 BPM | ||
乱れ髪 | 大瀧詠一, 大滝詠一 | A Minor | 6 | 8A | 124 BPM | ||
Come Rain Or Come Shine | Naomi Akimoto | C Major | 6 | 8B | 172 BPM | ||
フォーカスラブ | Chu Kosaka | A Major | 3 | 11B | 117 BPM | ||
ぼくと観光バスに乗ってみませんか | 森田童子 | B♭ Minor | 3 | 3A | 135 BPM | ||
It's A Sin To Tell A Lie | Naomi Akimoto | A Major | 7 | 11B | 149 BPM | ||
国際線待合室 | Mina Aoe | F Major | 5 | 7B | 88 BPM | ||
ローマの雨 | The Peanuts | C Minor | 6 | 5A | 122 BPM | ||
Good-Bye - 2021 Remaster | Hitomi Tohyama | A Major | 5 | 11B | 173 BPM | ||
いなか道 | Chu Kosaka | D Major | 5 | 10B | 165 BPM |