"V'higad'ta L'vincha: II. Avadim hayinu (We were slaves to Pharaoh)" by Gerald Cohen, David Abrams, Kathryn Palange, Alice Lee, Gregory Wood, Barbara Tagg was released on January 1, 2007. The duration of V'higad'ta L'vincha: II. Avadim hayinu (We were slaves to Pharaoh) is about 3 minutes long, at 3:19. Based on our data, "V'higad'ta L'vincha: II. Avadim hayinu (We were slaves to Pharaoh)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Gerald Cohen, Various Artists's "Gerald Cohen: Generations" album is number 12 out of 16. V'higad'ta L'vincha: II. Avadim hayinu (We were slaves to Pharaoh) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of V'higad'ta L'vincha: II. Avadim hayinu (We were slaves to Pharaoh) by Gerald Cohen, David Abrams, Kathryn Palange, Alice Lee, Gregory Wood, Barbara Tagg to be Adagio (slowly with great expression) because the track has a tempo of 72 テンポ, a half-time of 36テンポ, and a double-time of 144 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Crucero Day's | Crucero Vibes | B♭ Major | 0 | 6B | 133 BPM | ||
Preludes & Debka (Version for Trombone & String Quartet) | Gerald Cohen, Colin Williams, Cassatt String Quartet | B♭ Major | 1 | 6B | 146 BPM | ||
Holy Spirit Mass: Blessed | Kim André Arnesen, Mona Spigseth, Alex Robson, Trondheim Vokalensemble, TrondheimSolistene, Sofi Jeannin | B♭ Major | 2 | 6B | 58 BPM | ||
Requiem "Misa": XIV. Comunion. Lux aeterna | José de Nebra, Coro Victoria, Schola Antiqua, La Madrileña, José Antonio Montaño | F♯ Major | 2 | 2B | 71 BPM | ||
Te deum, LWV 55: XIV. Miserere nostri Domine, miserere nostri | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM | ||
Requiem, Op. 9: V. Pie Jesu | Maurice Duruflé, Yves Castagnet, Anaïs Bertrand, Anaïs Moreau, Henri Chalet | D Major | 0 | 10B | 67 BPM | ||
Missa Maria Magdalena: Äktenskapsbryterskan | Stellan Sagvik, Annika Skoglund, Olle Persson, Hannah Holgersson, Carl Unander-Scharin, Staffan Alveteg, Bjorn Blomberg, Liselotte Lindgren, Maria Magdalena Motet Choir, Stockholm Chamber Choir, Ralph Gustafsson, Mathias Kjellgren, Stockholm Saxophone Quartet, Ragnar Bohlin | D Major | 2 | 10B | 90 BPM | ||
Like a Darling: No. 3, Together | Steven Serpa, Jessica Bush, Chorosynthesis Singers, Jeremiah Selvey | E Major | 0 | 12B | 79 BPM | ||
Serenad (Ljuva flicka) | Akademiska Sångföreningen | F♯ Major | 1 | 2B | 88 BPM | ||
Tota pulchra es, WAB 46 | Anton Bruckner, Jānis Kurševs, Latvian Radio Choir, Kristīne Adamaite, Sigvards Kļava | C Major | 0 | 8B | 131 BPM |