Johann Sebastian Bach, Kenneth Gilbert, Lars Ulrik Mortensen, The English Concert, Trevor Pinnock made "Concerto for 3 Harpsichords, Strings & Continuo No. 1 in D Minor, BWV 1063: I. Allegro" available on January 1, 1981. With this song being about 5 minutes long, at 5:13, "Concerto for 3 Harpsichords, Strings & Continuo No. 1 in D Minor, BWV 1063: I. Allegro" by Johann Sebastian Bach, Kenneth Gilbert, Lars Ulrik Mortensen, The English Concert, Trevor Pinnock is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 9 in Bach, J.S.: Concertos for 3 and 4 Harpsichords by Johann Sebastian Bach, Rosalyn Tureck, Ludwig van Beethoven, Wilhelm Kempff, Various Artists, Johann Sebastian Bach, The English Concert, Trevor Pinnock. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of Concerto for 3 Harpsichords, Strings & Continuo No. 1 in D Minor, BWV 1063: I. Allegro is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Concerto for 3 Harpsichords, Strings & Continuo No. 1 in D Minor, BWV 1063: I. Allegro by Johann Sebastian Bach, Kenneth Gilbert, Lars Ulrik Mortensen, The English Concert, Trevor Pinnock is Vivace (lively and fast), since this song has a tempo of 173 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Matthäus-Passion, BWV 244, Pt. 1: No. 3, Chorale. "Herzliebster Jesu, was hast du verbrochen" (Chorus) | Johann Sebastian Bach, Dresdner Kreuzchor, Thomanerchor Leipzig, Gewandhausorchester, Rudolf Mauersberger, Erhard Mauersberger | B Minor | 2 | 10A | 117 BPM | ||
Renaissance, Book 2: Sarabande (Lully) | Leopold Godowsky, Konstantin Scherbakov | E Minor | 0 | 9A | 94 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : VI. Allegro | Arcangelo Corelli, Anna Holbling, Quido Holbling, Daniela Ruso, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 126 BPM | ||
Chopin: Nocturne No. 8 in D-Flat Major, Op. 27 No. 2 | Frédéric Chopin, Gabriela Montero | D♭ Major | 0 | 3B | 107 BPM | ||
Concerto for 2 Harpsichords in C Minor, BWV 1060: II. Adagio | Johann Sebastian Bach, Christiane Jaccottet, Christine Sartoretti, Jörg Faerber, Württembergisches Kammerorchester Heilbronn | C Minor | 3 | 5A | 175 BPM | ||
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: II. Andante | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | G Major | 1 | 9B | 95 BPM | ||
Overture in D Minor, TWV 55:2: Rondeau | Georg Philipp Telemann, Collegium Instrumentale Brugense, Patrick Peire | D Minor | 1 | 7A | 83 BPM | ||
Ständchen in D Minor (After Schubert), S. 560 | Franz Liszt, Lise de la Salle | D Major | 0 | 10B | 76 BPM | ||
Concerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | D♭ Major | 1 | 3B | 118 BPM | ||
Chiome d'oro, SV 143 | Claudio Monteverdi, Sonia Wieder-Atherton | C Major | 1 | 8B | 119 BPM |