"Laudes de sainte Ursule: XIV. Antienne "Aer enim"" by Hildegard von Bingen, Ensemble Organum, Marcel Pérès was released on 1996. With Laudes de sainte Ursule: XIV. Antienne "Aer enim" being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Hildegard von Bingen, Ensemble Organum, Marcel Pérès's "Hildegard von Bingen: Laudes de sainte Ursule" album is number 14 out of 25. On top of that, France appears to be the country where this track was created. Laudes de sainte Ursule: XIV. Antienne "Aer enim" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Laudes de sainte Ursule: XIV. Antienne "Aer enim" by Hildegard von Bingen, Ensemble Organum, Marcel Pérès to be Adagio (slowly with great expression) because the track has a tempo of 72 テンポ, a half-time of 36テンポ, and a double-time of 144 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cantus Officiorum: Responsorium: Tenebrae factae sunt | Ambrosian Chant,, Cappella Musicale del Duomo di Milano, Luigi Benedetti | E♭ Major | 1 | 5B | 131 BPM | ||
Sederunt principes | Ars Veritas | A♭ Minor | 4 | 1A | 111 BPM | ||
Ubi Cáritas Et Ámor: Antofon Ved Nattverdens Liturgi På Skjærtorsdag | Public Domaine, St. Hallvard-Guttene, Øistein Vogt | A Minor | 0 | 8A | 71 BPM | ||
Night Prayer: V. Canticle of Simeon "Nunc Dimittis" | The Benedictine Monks of Worth Abbey | F Major | 1 | 7B | 81 BPM | ||
O eterne Deus | Hildegard von Bingen, Sequentia, Barbara Thornton | A Minor | 0 | 8A | 74 BPM | ||
Dans la joie de Pâques : Antienne Vidi Aquam | Dom Le Feuvre, Choeur des Bénédictins de l'Abbaye de Kergonan, Congrégation de Solesme | F♯ Major | 1 | 2B | 132 BPM | ||
Libera me Responsorium (Trauerliturgie) | Choir Of St. Abuscus | C Major | 2 | 8B | 69 BPM | ||
Primo Temporare | Lucien Deiss, CSSp | C Major | 0 | 8B | 207 BPM | ||
O aeterne Deus: Psalm 109/110 | Hildegard von Bingen, Benedictine Nuns of the Abbey of St. Hildegard Eibingen | G Minor | 0 | 6A | 137 BPM | ||
Cantus Missarum: Ante Evangelium: Laudate dominum | Ambrosian Chant,, Cappella Musicale del Duomo di Milano, Luciano Migliavacca | G Major | 1 | 9B | 66 BPM |