"Magnificat octavi toni" by Sebastián de Vivanco, The Choir of St George's Chapel, Windsor Castle, Jonathan Rees-Williams had its release date on October 10, 1998. This song appears to be safe for all ages as it is not explicit. The track order of this song in The Choir of St George's Chapel, Windsor Castle, Roger Judd, Jonathan Rees-Williams's "Magnificat & Nunc dimittis, Vol. 21" album is number 1 out of 14. On top of that, United Kingdom appears to be the country where this track was created. Magnificat octavi toni is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Magnificat octavi toni by Sebastián de Vivanco, The Choir of St George's Chapel, Windsor Castle, Jonathan Rees-Williams to be Andante (at a walking pace) because the track has a tempo of 80 テンポ, a half-time of 40テンポ, and a double-time of 160 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cantiones sacræ, Op. 4, SWV 53-93: No. 6, Psalm Domine, ne in furore tuo arguas me, SWV 85 | Heinrich Schütz, Ricercar Consort, Philippe Pierlot, Hanna Bayodi-Hirt, Yetzabel Arias, Olivier Coiffet, Hugo Hymas, Matthias Vieweg | G Minor | 2 | 6A | 117 BPM | ||
Te deum, LWV 55: IX. Quos pretioso sanguine redemisti | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM | ||
Искупил ны еси от клятвы законныя | Хор Сретенского монастыря | F♯ Major | 1 | 2B | 74 BPM | ||
Prima die Lectio prima: III. Quomodo sedet sola | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | F♯ Minor | 1 | 11A | 89 BPM | ||
Missa Jubilate Deo: Agnus Die | Johann Stadlmayr, Roswitha Schmelzl, Andrea Lauren Brown, Gert Hohmann, Robert Sellier, Manuel Warwitz, Matthias Winckhler, Munich Orpheus Choir, Cornets Noirs, Les, Gerd Guglhör | G Minor | 1 | 6A | 121 BPM | ||
Sheppard: Missa Cantate - 2k. Et vitam venturi saeculi | John Sheppard, The Tallis Scholars, Peter Phillips | F Major | 4 | 7B | 57 BPM | ||
Dances: Ecce quam bonum | Anthony Holborne, Guildhall Waits, Trevor Jones, Consort Of Musicke, Anthony Rooley | C Minor | 0 | 5A | 114 BPM | ||
Sheppard: Missa Cantate - 1i. Cum Sancto Spiritu | John Sheppard, The Tallis Scholars, Peter Phillips | G Major | 3 | 9B | 138 BPM | ||
Missa Assumpsit Jesus: III. Credo | Sebastián de Vivanco, De Profundis, Graham Kirk, Mark Dourish, Mark Hounsell, Brian Mummert, Solomon Hayes, Tristram Cooke, William Lyons, Robert Hollingworth | B Minor | 0 | 10A | 114 BPM | ||
In tribulationibus, in angustiis: No. 7, Eamus egentes | Rinaldo Alessandrini, Concerto Italiano, Sonia Tedla, Monica Piccinini, Andrés Montilla, Luca Cervoni, Gabriele Lombardi | A Major | 3 | 11B | 93 BPM |