"String Quartet No. 3 in D Major, Op. 44, No. 1 (Remastered): I. Molto allegro vivace" by Felix Mendelssohn, Juilliard String Quartet was released on February 9, 2018. Since String Quartet No. 3 in D Major, Op. 44, No. 1 (Remastered): I. Molto allegro vivace is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Felix Mendelssohn, Juilliard String Quartet's "Mendelssohn: String Quartet, Op. 13 & String Quartet, Op. 44, No. 1 (Remastered)" album is number 5 out of 8. On top of that, United States appears to be the country where this track was created. String Quartet No. 3 in D Major, Op. 44, No. 1 (Remastered): I. Molto allegro vivace is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of String Quartet No. 3 in D Major, Op. 44, No. 1 (Remastered): I. Molto allegro vivace by Felix Mendelssohn, Juilliard String Quartet to be Andante (at a walking pace) because the track has a tempo of 79 テンポ, a half-time of 40テンポ, and a double-time of 158 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | ||
Les Soirees de Pausilippe, Hommage a Rossini: 24 Pensees Musicales, Op. 75: VI. Vivace In E-Flat Major | Sigismond Thalberg, Francesco Nicolosi | A Minor | 1 | 8A | 120 BPM | ||
Schluss | Fanny Mendelssohn, Heather Schmidt | C Major | 0 | 8B | 118 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM | ||
Fantasia And Fugue In A Minor, BWV 904 : Fugue | Janos Sebestyen, Johann Sebastian Bach | A Minor | 3 | 8A | 132 BPM | ||
3 Romances sans paroles (from Six Romances sans paroles, Op. 76): No. 1, Souvenance. Andantino | Cécile Chaminade, Eric Parkin | B Minor | 0 | 10A | 87 BPM | ||
6 Pezzi, P. 44: No. 4. Minuetto | Ottorino Respighi, Konstantin Scherbakov | G Major | 0 | 9B | 132 BPM | ||
Sibelius: 13 Pieces, Op. 76: No. 2, Étude | Jean Sibelius, Leif Ove Andsnes | A Minor | 1 | 8A | 127 BPM | ||
Nocturne No.4 In F, Op.15 No.1 | Frédéric Chopin, Maurizio Pollini | F Major | 0 | 7B | 132 BPM | ||
Piano Concerto No. 1 in G Minor, Op. 25, MWV O7: 2. Andante | Felix Mendelssohn, Lang Lang, Chicago Symphony Orchestra, Daniel Barenboim | E Major | 0 | 12B | 80 BPM |