"Myrthen, Op. 25: No. 1, Widmung (Arr. C. Schumann for Solo Piano)" by Robert Schumann, Mari Kodama was released on November 18, 2022. The duration of Myrthen, Op. 25: No. 1, Widmung (Arr. C. Schumann for Solo Piano) is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Myrthen, Op. 25: No. 1, Widmung (Arr. C. Schumann for Solo Piano)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 23 in the song's album "New Paths". In this album, this song's track order is #23. Furthermore, we believe that the track originated from Netherlands. Myrthen, Op. 25: No. 1, Widmung (Arr. C. Schumann for Solo Piano) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Myrthen, Op. 25: No. 1, Widmung (Arr. C. Schumann for Solo Piano) by Robert Schumann, Mari Kodama having a テンポ of 70 with a half-time of 35 テンポ and a double-time of 140 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Miniature Pieces: No. 2. Prelude | Mirrie Hill, Jeanell Carrigan | A♭ Major | 0 | 4B | 75 BPM | ||
Carnaval, Op. 9: XVIII. Aveu. Passionato | Robert Schumann, Marc-André Hamelin | A♭ Major | 0 | 4B | 69 BPM | ||
エチュード 第1番 変イ長調 「エオリアン・ハープ」作品25-1 | Fujiko Hemming | A♭ Major | 1 | 4B | 84 BPM | ||
Davidsbündlertänze, Op. 6: II. Innig | Robert Schumann, Angela Hewitt | E♭ Major | 1 | 5B | 81 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Children's Album, Book 1: The Cavalry | Aram Khachaturian, Tsovinar Suflyan | C Major | 2 | 8B | 129 BPM | ||
春に寄す Op.43-6(グリーグ) | 松本和将 | F♯ Major | 1 | 2B | 74 BPM | ||
Songs Without Words, Book 8, Op. 102: No. 4 in G Minor, MWV U 152 "The Sighing Wind" | Felix Mendelssohn, Bruce Levingston | E♭ Major | 1 | 5B | 79 BPM | ||
Toccata in C Major, Op. 7 | Robert Schumann, Sergey Tanin | C Major | 3 | 8B | 114 BPM | ||
9 Préludes, Op. 103: No. 3 in G Minor | Gabriel Fauré, Lucas Debargue | E♭ Major | 0 | 5B | 68 BPM |