"Pushkinskiy venok: No. 7. Zorju bjut (Reveille is Sounded)" by Georgy Sviridov, Novosibirsk Chamber Choir, Moscow Chamber Choir, Vladimir Minin was released on February 1, 2016. With this song being about 5 minutes long, at 4:48, "Pushkinskiy venok: No. 7. Zorju bjut (Reveille is Sounded)" by Georgy Sviridov, Novosibirsk Chamber Choir, Moscow Chamber Choir, Vladimir Minin is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Georgy Sviridov, Various Artists, Vladimir Fedoseyev, Vladimir Minin's "G. Sviridov: The Snow Storm & Pushkin's Garland" album is number 16 out of 19. On top of that, United States appears to be the country where this track was created. In terms of popularity, Pushkinskiy venok: No. 7. Zorju bjut (Reveille is Sounded) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pushkinskiy venok: No. 7. Zorju bjut (Reveille is Sounded) by Georgy Sviridov, Novosibirsk Chamber Choir, Moscow Chamber Choir, Vladimir Minin to be Andante (at a walking pace) because the track has a tempo of 90 テンポ, a half-time of 45テンポ, and a double-time of 180 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lohengrin: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | A Major | 0 | 11B | 75 BPM | ||
Le grand cahier: X. L'incendie | Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov | B Major | 3 | 1B | 122 BPM | ||
Requiem, Op.48: 4. Pie Jesu (I) | Gabriel Fauré, Catherine Bott, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | B♭ Major | 0 | 6B | 72 BPM | ||
Si du malheur | Orlande de Lassus, Ensemble Clément Janequin, Dominique Visse | E♭ Minor | 0 | 2A | 138 BPM | ||
Gloria, R. 589: Et in terra pax hominibus | Antonio Vivaldi, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B♭ Minor | 1 | 3A | 59 BPM | ||
Serenade in E Minor, Op. 20: II. Larghetto | Edward Elgar, Mainz Chamber Orchestra, Gernot Schulz | C Major | 1 | 8B | 77 BPM | ||
Pesnopeniya i molitvi (Canticles and Prayers): Christ's Life on Earth: Entreaty to the apostle St. John the Theologian | Georgy Sviridov, Credo Chamber Choir, Bogdan Plish | B♭ Major | 0 | 6B | 78 BPM | ||
Requiem, Op. 48: VI. Agnus Dei | Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France | D Minor | 1 | 7A | 69 BPM | ||
Masquerade Suite: Nocturne | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | A Major | 1 | 11B | 105 BPM | ||
Stabat Mater, RV. 621: Stabat Mater, RV. 621: Stabat Mater dolorosa | Antonio Vivaldi, Andreas Scholl, Chiara Banchini, Ensemble 415 | E Minor | 1 | 9A | 173 BPM |