"Bach, CPE: Solfeggietto in C Minor, Wq. 117/2" by Carl Philipp Emanuel Bach, Fazıl Say had its release date on April 14, 2023. With This song being less than two minutes long, at 1:05, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. Because this song is the only song in Morning Piano - CPE Bach: Solfeggietto, Wq. 117/2 and no other songs are present in the album, we classify this track as a single. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Bach, CPE: Solfeggietto in C Minor, Wq. 117/2's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Bach, CPE: Solfeggietto in C Minor, Wq. 117/2 by Carl Philipp Emanuel Bach, Fazıl Say to be Moderato (at a moderate speed) because the track has a tempo of 120 テンポ, a half-time of 60テンポ, and a double-time of 240 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Albéniz: Suite Española No. 1, Op. 47: V. Asturias "Leyenda" | Isaac Albéniz, Fazıl Say | C Minor | 1 | 5A | 133 BPM | ||
Keyboard Sonata in A Major, Wq. 55/4, H. 186: II. Poco adagio | Carl Philipp Emanuel Bach, Christopher Hinterhuber | F♯ Minor | 0 | 11A | 131 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.2 in C minor BWV847 | Daniel Barenboim | C Minor | 1 | 5A | 68 BPM | ||
Keyboard Sonata in F Major, Wq. 54/1, H. 204: I. Allegro | Carl Philipp Emanuel Bach, Ana-Marija Markovina | F Major | 1 | 7B | 67 BPM | ||
For Children, Vol. 2, Sz. 42 (Excerpts) [Original Version]: No. 34, Evening Kiss. Andante | Béla Bartók, Fülöp Ránki | D Major | 1 | 10B | 73 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Variation 12. Tempo di menuetto | Sergei Rachmaninoff, Boris Giltburg, Brussels Philharmonic, Vassily Sinaisky | D Minor | 0 | 7A | 79 BPM | ||
I Met You - Arr. for Cello and Piano by Jamal Aliyev | Jamal Aliyev, Leonid Malashkin, Ece Dağıstan | A♭ Major | 1 | 4B | 104 BPM | ||
3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano) | Clara Schumann, Sophie Kauer, Kunal Lahiry | D♭ Major | 0 | 3B | 68 BPM | ||
Adagio, Variations and Rondo on Schone Minka, Op. 78: Variation 4 | Johann Nepomuk Hummel, Lise Daoust, Elizabeth Dolin, Carmen Picard | A Major | 1 | 11B | 128 BPM |