"Hungarian Sketches, Sz. 97: 3. Melody" by Béla Bartók, Budapest Festival Orchestra, Iván Fischer was released on January 1, 1997. The duration of Hungarian Sketches, Sz. 97: 3. Melody is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Hungarian Sketches, Sz. 97: 3. Melody's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 29 in Bartók: The Miraculous Mandarin; Dances of Transylvania, etc. by Béla Bartók, Hungarian Radio Choir, Budapest Festival Orchestra, Iván Fischer. Based on our statistics, Hungarian Sketches, Sz. 97: 3. Melody's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Hungarian Sketches, Sz. 97: 3. Melody by Béla Bartók, Budapest Festival Orchestra, Iván Fischer is Allegro (fast, quick, and bright), since this song has a tempo of 127 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
A♭ Minor is the music key of this track. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tchaikovsky: The Seasons, Op. 37a: No. 10, October. Autumn Song | Pyotr Ilyich Tchaikovsky, Mikhail Pletnev | D Minor | 0 | 7A | 135 BPM | ||
3 Fragmente: II. Ulysse en Itaque | Witold Lutosławski, Eva Oertle, Consuelo Giulianelli | G Minor | 0 | 6A | 80 BPM | ||
Music for Strings, Percussion and Celesta, Sz. 106: 3. Adagio | Béla Bartók, Saito Kinen Orchestra, Seiji Ozawa | D Major | 1 | 10B | 118 BPM | ||
Piano Concerto in C-Sharp Minor, FP 146: I. Allegretto commodo - Live | Francis Poulenc, Yannick Nézet-Séguin, London Philharmonic Orchestra, Alexandre Tharaud | A♭ Major | 1 | 4B | 135 BPM | ||
Wagner: Albumblatt, WWV 94 | Richard Wagner, Renaud Capuçon | A Major | 2 | 11B | 87 BPM | ||
Abdelazar Suite, Z. 570: VI. Air | Henry Purcell, Camerata Nordica, Terje Tonnesen | G Minor | 2 | 6A | 131 BPM | ||
Deuxieme livre, Suite en Mi: X. Tambourin | Jean-Philippe Rameau, Alexander Paley | A Major | 1 | 11B | 130 BPM | ||
Love's Labour's Lost, Op. 28a: I. The King's Poem | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | C Minor | 0 | 5A | 86 BPM | ||
Allegro barbaro, BB 63 | Béla Bartók, Martin Kasík | B Minor | 2 | 10A | 98 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM |