"Suleikas Zweiter Gesang" by Edith Mathis was released on 1986. With this song being around four minutes long, at 4:21, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 5 out of 39 in Edith Mathis: Lieder by Karl Engel. In terms of popularity, Suleikas Zweiter Gesang is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Suleikas Zweiter Gesang by Edith Mathis is Andante (at a walking pace), since this song has a tempo of 107 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nulla in mundo pax, RV 630: 1. Nulla in mundo pax | Antonio Vivaldi, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | E♭ Major | 1 | 5B | 99 BPM | ||
Symphony No. 5 in D Major, Op. 107, MWV N15, "Reformation": III. Andante | Felix Mendelssohn, RTÉ National Symphony Orchestra, Reinhard Seifried | G Minor | 0 | 6A | 96 BPM | ||
Serenade for Strings in C major, Op. 48: II. Walzer: Moderato, tempo di valse | Pyotr Ilyich Tchaikovsky, Moscow Soloists, Yuri Bashmet | G Major | 1 | 9B | 66 BPM | ||
Der Rosenkavalier, Op. 59, TrV 227 / Act 3: "Marie Theres'!" - "Hab mir's gelobt, Ihn lieb zu haben" | Richard Strauss, Edith Mathis, Tatiana Troyanos, Christa Ludwig, Wiener Philharmoniker, Karl Böhm | D Major | 2 | 10B | 129 BPM | ||
Die Schöpfung Hob. XXI:2 / Erster Teil: 8. Arie: Nun beut die Flur das frische Grün - Live | Joseph Haydn, Edith Mathis, Wiener Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 89 BPM | ||
Les pêcheurs de perles, WD 13 / Act 1: "Au fond du temple saint" | Georges Bizet, René Bianco, Leopold Simoneau, Orchestre des Concerts Lamoureux, Jean Fournet | E♭ Major | 3 | 5B | 66 BPM | ||
Mass in D Major, Op. 123 "Missa Solemnis": Kyrie | Ludwig van Beethoven, Charlotte Margiono, Catherine Robbin, William Kendall, Alastair Miles, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner, Elizabeth Wilcock, Alastair Ross, The Monteverdi Choir | D Major | 1 | 10B | 79 BPM | ||
Holberg Suite, Op. 40: I. Prelude | Edvard Grieg, Sir Neville Marriner, Academy of St. Martin in the Fields | G Major | 1 | 9B | 70 BPM | ||
St. Matthew Passion, BWV. 244 / Pt. 2: No. 54 Evangelist, Pilatus, Uxor Pilati, Chorus I/II: "Auf das Fest aber hatte der Landpfleger Gewohnheit" | Johann Sebastian Bach, Peter Schreier, Matti Salminen, Edith Mathis, Münchener Bach-Orchester, Karl Richter, Münchener Bach-Chor, Regensburger Domspatzen, Georg Ratzinger | D Minor | 3 | 7A | 85 BPM | ||
Orfeo ed Euridice (Orphée et Euridice), Wq. 30 / Act 3: "Che farò senza Euridice?" | Christoph Willibald Gluck, Janet Baker, English Chamber Orchestra, Raymond Leppard | D Major | 1 | 10B | 96 BPM |