"Slavonic Dances, B.83: (Op.46 - Nos. 1-8); B.147 (Op.72 - Nos. 1-8): No. 4 in F Major: Sousedská (Tempo di Minuetto), Op.46" by Berliner Philharmoniker, Lorin Maazel was released on November 12, 2007. Since Slavonic Dances, B.83: (Op.46 - Nos. 1-8); B.147 (Op.72 - Nos. 1-8): No. 4 in F Major: Sousedská (Tempo di Minuetto), Op.46 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 54 in the song's album "The Berlin Philharmonic on EMI". In this album, this song's track order is #27. Slavonic Dances, B.83: (Op.46 - Nos. 1-8); B.147 (Op.72 - Nos. 1-8): No. 4 in F Major: Sousedská (Tempo di Minuetto), Op.46 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Slavonic Dances, B.83: (Op.46 - Nos. 1-8); B.147 (Op.72 - Nos. 1-8): No. 4 in F Major: Sousedská (Tempo di Minuetto), Op.46 by Berliner Philharmoniker, Lorin Maazel having a テンポ of 76 with a half-time of 38 テンポ and a double-time of 152 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vocalise, Op. 34, No. 14 | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | E Minor | 1 | 9A | 76 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Mussorgsky: Pictures at an Exhibition: No. 15, The Knight's Gate in the Old Capital of Kiev | Modest Mussorgsky, Sir Simon Rattle, Berliner Philharmoniker | E♭ Major | 2 | 5B | 85 BPM | ||
Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Nimrod | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | E♭ Major | 1 | 5B | 70 BPM | ||
Symphony No. 1 in D Major: 2. Kräftig bewegt - Live | Gustav Mahler, Berliner Philharmoniker, Claudio Abbado | A Major | 1 | 11B | 96 BPM | ||
The Planets, Op. 32: 4. Jupiter, the Bringer of Jollity | Gustav Holst, Berliner Philharmoniker, Herbert von Karajan | G Minor | 3 | 6A | 140 BPM | ||
Symphony No.8 In G, Op.88, B. 163: 1. Allegro con brio | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | G Major | 2 | 9B | 74 BPM | ||
Pelléas et Mélisande - Incidental Music To Maeterlinck's Play, Op.46 (1905): 9. The Death Of Mélisande | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 72 BPM | ||
Le roi s'amuse: Pavane | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | B♭ Major | 0 | 6B | 91 BPM | ||
Unter Donner und Blitz, Polka, Op.324 | Johann Strauss II, Berliner Philharmoniker, Herbert von Karajan | G Major | 4 | 9B | 78 BPM |