Benjamin Britten, Yo-Yo Ma, Emanuel Ax's 'Cello Sonata in C Major, Op. 65: IV. Marcia. Energico' came out on 1989. The duration of Cello Sonata in C Major, Op. 65: IV. Marcia. Energico is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Cello Sonata in C Major, Op. 65: IV. Marcia. Energico's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 8 in the song's album "Strauss and Britten Cello Sonatas (Remastered)". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. Based on our statistics, Cello Sonata in C Major, Op. 65: IV. Marcia. Energico's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Cello Sonata in C Major, Op. 65: IV. Marcia. Energico by Benjamin Britten, Yo-Yo Ma, Emanuel Ax having a テンポ of 139 with a half-time of 70 テンポ and a double-time of 278 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 149 BPM | ||
D'un matin de printemps | Lili Boulanger, Yan Pascal Tortelier, BBC Philharmonic | C Major | 1 | 8B | 151 BPM | ||
Japanese Suite, Op. 33: III. Dance of the Marionette | Gustav Holst, Ulster Orchestra, Joann Falletta | C Minor | 0 | 5A | 177 BPM | ||
The Wreckers: Overture | Dame Ethel Smyth, Sakari Oramo, BBC Symphony Orchestra | C Major | 8 | 8B | 176 BPM | ||
Death of Usurer: Adagio | Valery Gergiev, London Symphony Orchestra | C Minor | 0 | 5A | 108 BPM | ||
Appalachian Spring: VI. Meno mosso | Aaron Copland, Leonard Bernstein, New York Philharmonic | A♭ Major | 0 | 4B | 143 BPM | ||
La bonne chanson, Op. 61: No. 4, J'allais par des chemins perfides | Gabriel Fauré, Sir Peter Pears, Benjamin Britten | C Major | 2 | 8B | 46 BPM | ||
Nocturnes, L. 91: 1. Nuages | Claude Debussy, Berliner Philharmoniker, Claudio Abbado | C Major | 0 | 8B | 83 BPM | ||
Lieutenant Kijé, Symphonic Suite, Op.60: 5. Enterrement de Kijé | Sergei Prokofiev, Chicago Symphony Orchestra, Claudio Abbado | G Minor | 0 | 6A | 104 BPM | ||
Ludus pro Patria, La Nuit et l'Amour: La Nuit et l'Amour: Interlude de l'ode symphonique - Ludus pro Patria | Augusta Holmès, Staatsphilharmonie Rheinland-Pfalz, Patrick Davin | B♭ Major | 0 | 6B | 78 BPM |