"Suor Angelica, SC 87: Suor Angelica! (Live)" by Giacomo Puccini, María José Siri, Marina Ogii, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Valerio Galli was released on September 18, 2020. The duration of Suor Angelica, SC 87: Suor Angelica! (Live) is about 3 minutes long, at 3:10. Based on our data, "Suor Angelica, SC 87: Suor Angelica! (Live)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 15 in the song's album "Puccini: Suor Angelica, SC 87 (Live)". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Italy. Suor Angelica, SC 87: Suor Angelica! (Live) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Suor Angelica, SC 87: Suor Angelica! (Live) by Giacomo Puccini, María José Siri, Marina Ogii, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Valerio Galli having a テンポ of 82 with a half-time of 41 テンポ and a double-time of 164 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
MADAME BUTTERFLY · Oper in 3 Akten · Querschnitt in deutscher Sprache (inkl. Bonus mit Marcel Cordes), Erster Akt: - Bald sind wir auf der Höh' | Giacomo Puccini, Giuseppe Giacosa, Luigi Illica, Erna Berger/Frauenchor Der Städtischen Oper Berlin/Berliner Symphoniker/Wilhelm Schüchter, Wilhelm Schuechter, Wilhelm Schüchter, Berliner Symphoniker | G Major | 2 | 9B | 79 BPM | ||
A Chloris | Reynaldo Hahn, Pumeza Matshikiza, Aarhus Symfoniorkester, Tobias Ringborg | E Major | 1 | 12B | 175 BPM | ||
Die Meistersinger von Nürnberg, WWV 96 / Act 3: "Selig, wie die Sonne" | Richard Wagner, Norman Bailey, Hannelore Bode, René Kollo, Adolf Dallapozza, Julia Hamari, Wiener Philharmoniker, Sir Georg Solti | F♯ Major | 2 | 2B | 82 BPM | ||
Symphony No. 5 in C-Sharp Minor / Pt. 3: 4. Adagietto | Gustav Mahler, Chicago Symphony Orchestra, Sir Georg Solti | G Minor | 2 | 6A | 95 BPM | ||
Rinaldo / Act 2: Lascia ch'io pianga | George Frideric Handel, Cecilia Bartoli, Academy of Ancient Music, Christopher Hogwood | E Major | 1 | 12B | 176 BPM | ||
O tu che in seno agli Angeli | Mario del Monaco | D Major | 2 | 10B | 93 BPM | ||
Lohengrin, WWV 75: Prelude to Act 1 | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | A Major | 1 | 11B | 72 BPM | ||
Le nozze di Figaro, K.492 / Act 2: "Porgi amor" | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Metropolitan Opera Orchestra, James Levine | C Minor | 1 | 5A | 61 BPM | ||
Il barbiere di Siviglia (The Barber of Seville): Overture | Gioachino Rossini, Zagreb Festival Orchestra, Michael Halasz | E Major | 1 | 12B | 171 BPM | ||
Turandot: Act II Scene 2: In questa reggia | Giacomo Puccini, Masako Deguci, Giovanna Casolla, Lando Bartolini, Gorka Gerrikabeitia, Francisco Heredia, Javier Mas, Vicenc Esteve, Armando Ariostini, Jose Garcia-Quijada, Felipe Bou, Bilbao Choral Society, Malaga Philharmonic Orchestra, Alexander Rahbari | D Major | 2 | 10B | 125 BPM |