Felix Mendelssohn, Yuja Wang, Verbier Festival Orchestra, Kurt Masur's 'Piano Concerto No. 1 in G Minor, Op. 25, MWV O7: I. Molto allegro con fuoco - Live' came out on April 22, 2022. Since Piano Concerto No. 1 in G Minor, Op. 25, MWV O7: I. Molto allegro con fuoco - Live is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Yuja Wang Plays Mendelssohn (Live) by Felix Mendelssohn, Yuja Wang, Verbier Festival Orchestra, Kurt Masur, Kirill Troussov, David Aaron Carpenter, Maxim Rysanov, Sol Gabetta, Leigh Mesh. The song's track number on the album is #1 out of 7 tracks. Based on our data, Germany was the country where this track was produced or recorded. Piano Concerto No. 1 in G Minor, Op. 25, MWV O7: I. Molto allegro con fuoco - Live is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Piano Concerto No. 1 in G Minor, Op. 25, MWV O7: I. Molto allegro con fuoco - Live by Felix Mendelssohn, Yuja Wang, Verbier Festival Orchestra, Kurt Masur has a tempo of 80 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Piano Concerto No. 1 in G Minor, Op. 25, MWV O7: I. Molto allegro con fuoco - Live being at 80 テンポ, the half-time would be 40 テンポ with a double-time of 160 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 1 in D Major, Op. 6: III. Rondo (Allegro spirituoso) | Niccolò Paganini, Hilary Hahn, Swedish Radio Symphony Orchestra, Eije Oue | D Major | 1 | 10B | 99 BPM | ||
Dolly, Op.56: 2. Mi-A-Ou | Gabriel Fauré, Katia Labèque, Marielle Labèque | F Major | 1 | 7B | 71 BPM | ||
Piano Concerto No. 1 in G Minor, Op. 25, MWV O 7: I. Molto allegro con fuoco | Felix Mendelssohn, Murray Perahia, Sir Neville Marriner, Academy of St. Martin in the Fields | G Minor | 1 | 6A | 80 BPM | ||
Trio for Clarinet, Violin and Piano in D Minor: II. Allegro | Aram Khachaturian, Nemanja Radulović, Andreas Ottensamer, Laure Favre-Kahn | D Minor | 0 | 7A | 75 BPM | ||
Piano Quintet in E flat, Op. 44: 1. Allegro brillante | Robert Schumann, Beaux Arts Trio, Dolf Bettelheim, Samuel Rhodes | D♭ Major | 7 | 3B | 170 BPM | ||
Carmen Fantasy, Op. 25: II. Lento assai | Pablo de Sarasate, Anne-Sophie Mutter, Wiener Philharmoniker, James Levine | A Minor | 1 | 8A | 82 BPM | ||
Piano Concerto in A Minor, Op. 16: III. Allegro moderato molto e marcato | Edvard Grieg, Murray Perahia, Sir Colin Davis, Bavarian Radio Symphony Orchestra | E Minor | 0 | 9A | 87 BPM | ||
Carmen Fantasy, Op. 25: IV. Moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | F Minor | 2 | 4A | 84 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Ballade No. 3 In A-Flat Major, Op. 47 | Frédéric Chopin, Krystian Zimerman | A♭ Major | 1 | 4B | 88 BPM |