Manuel Ponce, Ana Vidovic's 'Sonata romantica: I. Allegro moderato' came out on July 30, 2000. Sonata romantica: I. Allegro moderato is about six minutes long, preciously at 5:37, making this song fairly long compared to other songs. The track order of this song in Ana Vidovic's "Guitar Recital: Ana Vidovic" album is number 7 out of 21. On top of that, Hong Kong appears to be the country where this track was created. Sonata romantica: I. Allegro moderato is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sonata romantica: I. Allegro moderato by Manuel Ponce, Ana Vidovic to be Adagio (slowly with great expression) because the track has a tempo of 75 テンポ, a half-time of 38テンポ, and a double-time of 150 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
5 American Preludes - Scherzino | Abel Carlevaro, Jad Azkoul | E Major | 0 | 12B | 67 BPM | ||
The Yellow Cake Review, Farewell to Stromness (Excerpt) | Peter Maxwell Davies, Los Angeles Guitar Quartet | D Major | 0 | 10B | 127 BPM | ||
Suite del Plata, No. 1: Preludio | Maximo Diego Pujol, Victor Villadangos | D Minor | 0 | 7A | 107 BPM | ||
No. 3, Clair de lune - Arr. for Cello and Guitar | Claude Debussy, Isang Enders, Sean Shibe | D Major | 1 | 10B | 88 BPM | ||
Concierto de Aranjuez: II. Adagio | Joaquín Rodrigo, Julian Bream, John Eliot Gardiner | B Minor | 1 | 10A | 84 BPM | ||
5 Preludes, Op. 16: IV. Prelude No. 4 in E-Flat Minor: Lento | Alexander Scriabin, Evgeny Zarafiants | A Minor | 0 | 8A | 129 BPM | ||
Bocherini / Arr Grützmacher: Cello Concerto No. 9 in B-Flat Major, G. 482: II. Adagio non troppo (Arr. Grützmacher) | Luigi Boccherini, Jacqueline du Pré, Daniel Barenboim, English Chamber Orchestra | G Minor | 1 | 6A | 86 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
Mazurka in C Minor | Mikhail Glinka, Inga Fiolia | C Minor | 0 | 5A | 106 BPM | ||
Sonata for Guitar and Harpsichord: Allegro non troppo e piacevole, vivo | Manuel Ponce, Davide Ficco | B Major | 2 | 1B | 101 BPM |