"Elijah, Op. 70, MWV A25: Part I: Aria: So ihr mich von ganzem Herzen suchet (Tenor)" by Felix Mendelssohn, Luise Muller, Ruth Ziesak, Claudia Mahnke, Christoph Genz, Ralf Lukas, MDR Leipzig Radio Chorus, Leipzig MDR Symphony Orchestra, Jun Markl was released on October 26, 2010. The duration of Elijah, Op. 70, MWV A25: Part I: Aria: So ihr mich von ganzem Herzen suchet (Tenor) is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Elijah, Op. 70, MWV A25: Part I: Aria: So ihr mich von ganzem Herzen suchet (Tenor)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Felix Mendelssohn, Jun Markl's "Mendelssohn: Elias (Elijah)" album is number 6 out of 45. On top of that, Hong Kong appears to be the country where this track was created. Elijah, Op. 70, MWV A25: Part I: Aria: So ihr mich von ganzem Herzen suchet (Tenor) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Elijah, Op. 70, MWV A25: Part I: Aria: So ihr mich von ganzem Herzen suchet (Tenor) by Felix Mendelssohn, Luise Muller, Ruth Ziesak, Claudia Mahnke, Christoph Genz, Ralf Lukas, MDR Leipzig Radio Chorus, Leipzig MDR Symphony Orchestra, Jun Markl to be Andante (at a walking pace) because the track has a tempo of 77 テンポ, a half-time of 38テンポ, and a double-time of 154 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Laudate pueri Dominum, RV 600: Sit nomen Domini benedictum | Antonio Vivaldi, Tracy Smith Bessette, Aradia Ensemble, Kevin Mallon | G Major | 4 | 9B | 92 BPM | ||
Requiem, Op. 48: Libera me | Gabriel Fauré, Collegium Vocale Gent, La Chapelle Royale, Stephan Genz, Philippe Herreweghe | D Minor | 0 | 7A | 62 BPM | ||
St. Matthew Passion, BWV 244 / Part Two: "Erbarme dich" | Johann Sebastian Bach, Anne Sofie von Otter, Chicago Symphony Orchestra, Sir Georg Solti | B Minor | 1 | 10A | 93 BPM | ||
Clarinet Quintet in B Minor, Op. 115: III. Andantino - Presto non assai, ma con sentimento | Johannes Brahms, David Shifrin, Emerson String Quartet | D♭ Major | 5 | 3B | 106 BPM | ||
Sonata in G Major, K 13 (L 486) | Domenico Scarlatti, Glenn Gould | G Major | 3 | 9B | 101 BPM | ||
Im Fruhling, D. 882 | Franz Schubert, Hanno Müller-Brachmann, Ulrich Eisenlohr | E Major | 0 | 12B | 90 BPM | ||
Études, Op. 10: Etude No. 6 in E-Flat Minor, Op. 10, No. 6 | Frédéric Chopin, Idil Biret | A♭ Major | 0 | 4B | 73 BPM | ||
Violin Concerto No. 3 in B Minor, Op. 61: I. Allegro non troppo | Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | B Minor | 1 | 10A | 79 BPM | ||
6 Moments musicaux, Op. 16: No. 6, Maestoso | Sergei Rachmaninoff, Boris Giltburg | C Major | 1 | 8B | 70 BPM | ||
Vivaldi: Gloria in D Major, RV 589: IX. Qui tollis peccata mundi | Antonio Vivaldi, Teresa Berganza, Lucia Valentini Terrani, New Philharmonia Chorus, New Philharmonia Orchestra, Riccardo Muti | E Minor | 3 | 9A | 88 BPM |