"Slovanic Dances, Op. 46, B. 83: Slavonic Dance No. 2 in E Minor, Op. 46, No. 2" by Antonín Dvořák, Staatsphilharmonie Rheinland-Pfalz, Leif Segerstam was released on January 31, 1988. With this song being about 5 minutes long, at 5:21, "Slovanic Dances, Op. 46, B. 83: Slavonic Dance No. 2 in E Minor, Op. 46, No. 2" by Antonín Dvořák, Staatsphilharmonie Rheinland-Pfalz, Leif Segerstam is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 16 in Dvorak: Slavonic Dances, Op. 46 & 72 by Antonín Dvořák, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam, Staatsphilharmonie Rheinland-Pfalz. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. Slovanic Dances, Op. 46, B. 83: Slavonic Dance No. 2 in E Minor, Op. 46, No. 2 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Slovanic Dances, Op. 46, B. 83: Slavonic Dance No. 2 in E Minor, Op. 46, No. 2 by Antonín Dvořák, Staatsphilharmonie Rheinland-Pfalz, Leif Segerstam is Andante (at a walking pace), since this song has a tempo of 88 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bocherini / Arr Grützmacher: Cello Concerto No. 9 in B-Flat Major, G. 482: II. Adagio non troppo (Arr. Grützmacher) | Luigi Boccherini, Jacqueline du Pré, Daniel Barenboim, English Chamber Orchestra | G Minor | 1 | 6A | 86 BPM | ||
Fantasie-impromptu in C-Sharp Minor, Op. 66 No. 4 | Frédéric Chopin, Arthur Rubinstein | D♭ Major | 1 | 3B | 82 BPM | ||
8 Slavonic Dances, Op. 72, B. 147: 2. Dumka. Allegretto grazioso | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | C Major | 2 | 8B | 97 BPM | ||
Raymonda, Op. 57: Act III - Variation IV | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | D Minor | 0 | 7A | 90 BPM | ||
Suite in D Minor, HWV 447: Allemande | George Frideric Handel, David Greilsammer | D Minor | 1 | 7A | 74 BPM | ||
Concerto grosso No. 1 in D Major, Op. 6: II. Largo - Allegro | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova | D♭ Major | 2 | 3B | 146 BPM | ||
Respighi: Pini di Roma, P. 141: III. I pini del Gianicolo | Ottorino Respighi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Major | 0 | 12B | 81 BPM | ||
Salut d'amour, Op. 12 | Edward Elgar, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 80 BPM | ||
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 0 BPM | ||
Symphonic Studies, Op. 13 - Version 1852 with Etudes from 1837 version: Variation II. Marcato il canto | Robert Schumann, Mikhail Pletnev | D♭ Minor | 1 | 12A | 69 BPM |