"Messiah: Part 1, Pastoral Symphony (Pifa)" by The Sixteen had its release date on September 1, 2008. The duration of This song is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Messiah: Part 1, Pastoral Symphony (Pifa)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in The Sixteen's "Handel: Messiah" album is number 13 out of 56. Messiah: Part 1, Pastoral Symphony (Pifa) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Messiah: Part 1, Pastoral Symphony (Pifa) by The Sixteen to be Andante (at a walking pace) because the track has a tempo of 86 テンポ, a half-time of 43テンポ, and a double-time of 172 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vere languores | Tomás Luis de Victoria, The Sixteen, Harry Christophers | B♭ Minor | 0 | 3A | 129 BPM | ||
Greater Love Hath No Man | John Ireland, The Sixteen, Harry Christophers | D Major | 1 | 10B | 83 BPM | ||
Requiem in C Minor: VI. Pie Jesu | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | F Minor | 0 | 4A | 76 BPM | ||
O Salutaris Hostia | Pierre de la Rue, Netherlands Chamber Choir, Paul Van Nevel | G Major | 1 | 9B | 135 BPM | ||
Mass for Double Choir: Kyrie | Frank Martin, Mikaeli Chamber Choir, Anders Eby | A Minor | 0 | 8A | 81 BPM | ||
Burial Sentences: VI. Thou Knowest, Lord | William Croft, Michael Bawtree, Annabell McLauchlan, David Rowland | B♭ Major | 1 | 6B | 124 BPM | ||
Magnificat in B-Flat | Charles Villiers Stanford, Ely Cathedral Choir, Jeremy Filsell, Paul Trepte | B♭ Major | 1 | 6B | 131 BPM | ||
Miserere mei Deus (psaume L) – à 8, alternatim | Andrés Barea, Paul Van Nevel, Huelgas Ensemble | A♭ Major | 2 | 4B | 83 BPM | ||
Gesualdo: Ave, Dulcissima Maria | Carlo Gesualdo, Peter Phillips, The Tallis Scholars | F Major | 1 | 7B | 71 BPM | ||
Mass in G Minor: Kyrie | Ralph Vaughan Williams, Choir of St. John's College, Cambridge, George Balfour, Peter Lidbetter, Michael Bell, Andrew Nethsingha | D Major | 0 | 10B | 76 BPM |