Athanasius Kircher, L'Arpeggiata, Christina Pluhar, Lucilla Galeazzi, Marco Beasley made "Tarantella napoletana, Tono hypodorico" available on 2001. The duration of Tarantella napoletana, Tono hypodorico is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Tarantella napoletana, Tono hypodorico's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in L'Arpeggiata, Christina Pluhar, Lucilla Galeazzi, Marco Beasley's "La Tarantella: Antidotum Tarantulae (Extraits de la bande originale du film "Tous les soleils")" album is number 3 out of 17. Based on our statistics, Tarantella napoletana, Tono hypodorico's popularity is below average in popularity right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Tarantella napoletana, Tono hypodorico by Athanasius Kircher, L'Arpeggiata, Christina Pluhar, Lucilla Galeazzi, Marco Beasley to be Vivace (lively and fast) because the track has a tempo of 157 テンポ, a half-time of 78テンポ, and a double-time of 314 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Danza de la Hacha (arr. V. Dumestre) | Vincent Dumestre, Luis de Briceño, Poeme Harmonique | C Major | 2 | 8B | 145 BPM | ||
Rameau: Hippolyte et Aricie, RCT 43, Act 3 Scene 1: Prélude | Jean-Philippe Rameau, Véronique Gens, Christophe Rousset, Les Talens Lyriques | B♭ Major | 2 | 6B | 107 BPM | ||
Jewish Traditional: Song In Remembrance of Schubert | Alexander Tcherepnin, Franck Krawczyk, Sinfonia Varsovia | F Minor | 0 | 4A | 78 BPM | ||
Flautino Concerto In C, RV 443 - Arr. in G Major for Recorder: 2. Largo | Antonio Vivaldi, Lucie Horsch, Amsterdam Vivaldi Players | F♯ Minor | 0 | 11A | 69 BPM | ||
Quelles beautés, ô mortels (Récit de Mnémosyne) | Antoine Boësset, Simone Kermes, Enrico Casazza | D Major | 4 | 10B | 91 BPM | ||
A che più l’arc tendere | Stefano Landi, Constantinople, Suzie LeBlanc | D Minor | 2 | 7A | 118 BPM | ||
La tarantella | Cristofaro Caresana, Antonio Florio, Cappella de' Turchini | A♭ Minor | 2 | 1A | 102 BPM | ||
Suite No. 1 "Tri men": Suite d'an dro du pays vannetais | Traditionnel, Didier Squiban | A♭ Minor | 5 | 1A | 96 BPM | ||
Tarantella Napoletana, Tono Hypodorico | Christina Pluhar, Athanasius Kircher, L'Arpeggiata | F Major | 2 | 7B | 157 BPM | ||
Les Indes galantes, RCT 44, Nouvelle entrée, Les sauvages, Scène VI: Rondeau - Duo et choeur "Forêts paisibles" | Jean-Philippe Rameau, Teodor Currentzis | F♯ Minor | 3 | 11A | 98 BPM |