The Bengsons's 'Hundred Days' came out on September 21, 2018. With this song being around four minutes long, at 3:52, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in The Bengsons's "Hundred Days (Original Cast Recording)" album is number 10 out of 16. Based on our statistics, Hundred Days's popularity is average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Hundred Days by The Bengsons to be Allegro (fast, quick, and bright) because the track has a tempo of 143 テンポ, a half-time of 72テンポ, and a double-time of 286 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A Terrible Ride | Lizard Boy Original Cast, Justin Huertas, Kirsten Delohr Helland, William A. Williams | E Minor | 4 | 9A | 81 BPM | ||
Dove of Mine | Eliza Rickman | E♭ Major | 5 | 5B | 110 BPM | ||
Riverboat Shanty | Emily Axford | F♯ Minor | 2 | 11A | 170 BPM | ||
Drinking Song | House Phone | D Major | 2 | 10B | 114 BPM | ||
Flowers in My Hair | Wes Reeve | B♭ Major | 2 | 6B | 141 BPM | ||
True North | Vocal Line | G Minor | 4 | 6A | 124 BPM | ||
Rule #27 - Drunk on Pride | Fish in a Birdcage, Philip Bowen | A Major | 2 | 11B | 129 BPM | ||
Boy | John Mark Nelson | E Major | 4 | 12B | 90 BPM | ||
We Stand Alone | PigPen Theatre Co. | G Major | 6 | 9B | 127 BPM | ||
Ship in a Bottle | fin | D Major | 7 | 10B | 108 BPM |