"Riders on the Storm - The Doors Concerto: Strange Days" by Nigel Kennedy, Chris Goody, Prague Symphony Orchestra, Peter Scholes was released on January 1, 2000. Since Riders on the Storm - The Doors Concerto: Strange Days is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 9 in the song's album "Riders On The Storm - The Doors Concerto". In this album, this song's track order is #8. Riders on the Storm - The Doors Concerto: Strange Days is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Riders on the Storm - The Doors Concerto: Strange Days by Nigel Kennedy, Chris Goody, Prague Symphony Orchestra, Peter Scholes having a テンポ of 83 with a half-time of 42 テンポ and a double-time of 166 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Swan Lake, Op. 20 | Tim Fain, Robert Koenig | F♯ Minor | 2 | 11A | 85 BPM | ||
Phaeton, Prologue - Le retour de l'Âge d'or: Ouverture | Jean-Baptiste Lully, Christophe Rousset, Chœur De Chambre De Namur, Les Talens Lyriques | B♭ Major | 3 | 6B | 128 BPM | ||
Three Sisters: Vershinin's Idealism - Irena | Nigel Kennedy, Oxford Philharmonic Orchestra | A Major | 0 | 11B | 180 BPM | ||
Six Cello Sonatas, Book 4, Sonata No. 4 for Two Cellos in G Major: III. Allegro prestissimo | Jean Barrière, Guy Johnston, Sheku Kanneh-Mason | G Major | 2 | 9B | 148 BPM | ||
Nutcracker - Waltz of the Flowers | Pyotr Ilyich Tchaikovsky, Willi Boskovsky/Wiener Symphoniker, Willi Boskovsky, Wiener Philharmoniker, Wiener Symphoniker | D Major | 1 | 10B | 100 BPM | ||
Bach, J.S.: Concerto for 2 Violins in D Minor, BWV 1043: II. Largo ma non tanto | Johann Sebastian Bach, Nigel Kennedy, Berliner Philharmoniker | F Major | 1 | 7B | 92 BPM | ||
Lohengrin: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | A Major | 0 | 11B | 75 BPM | ||
Dvořák: Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": II. Largo | Antonín Dvořák, Mariss Jansons, Oslo Philharmonic Orchestra | D♭ Major | 0 | 3B | 73 BPM | ||
16 Waltzes, Op. 39 (Version for Piano Duet): No. 15 in A-Flat Major | Johannes Brahms, Tal & Groethuysen | A Major | 0 | 11B | 126 BPM |