On January 1, 2008, the song "Cor fedele (Clori, Tirsi e Fileno), HWV 96: Part II: Aria: Amo Tirsi (Clori)" was released by George Frideric Handel, Roberta Invernizzi, Yetzabel Arias Fernandez, Romina Basso, Fabio Bonizzoni, La Risonanza. The duration of Cor fedele (Clori, Tirsi e Fileno), HWV 96: Part II: Aria: Amo Tirsi (Clori) is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Cor fedele (Clori, Tirsi e Fileno), HWV 96: Part II: Aria: Amo Tirsi (Clori)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, Fabio Bonizzoni's "Handel, G.F.: Cor Fedele (Clori, Tirsi E Fileno)" album is number 21 out of 29. On top of that, Spain appears to be the country where this track was created. In terms of popularity, Cor fedele (Clori, Tirsi e Fileno), HWV 96: Part II: Aria: Amo Tirsi (Clori) is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Cor fedele (Clori, Tirsi e Fileno), HWV 96: Part II: Aria: Amo Tirsi (Clori) by George Frideric Handel, Roberta Invernizzi, Yetzabel Arias Fernandez, Romina Basso, Fabio Bonizzoni, La Risonanza to be Moderato (at a moderate speed) because the track has a tempo of 111 テンポ, a half-time of 56テンポ, and a double-time of 222 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
ヴァイオリン協奏曲 ニ長調 Op. 77: II. Adagio | Johannes Brahms, Takako Nishizaki, Slovak Philharmonic, Stephen Gunzenhauser | C Major | 1 | 8B | 67 BPM | ||
3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat Major | Clara Schumann, Jozef De Beenhouwer | B♭ Major | 0 | 6B | 100 BPM | ||
Sonata in D Major, No. 1: III. Allegro | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | A♭ Major | 4 | 4B | 117 BPM | ||
Sonata in G Major, K 13 (L 486) | Domenico Scarlatti, Glenn Gould | G Major | 3 | 9B | 101 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: II. Adagio | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 0 | 12A | 79 BPM | ||
Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino | Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
Concerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : III. Allegro | Cologne Chamber Orchestra, Lucas Barr, Renee Ohldin, Christine Pichlmeier, Corinne Chapelle, Antonio Vivaldi | B Minor | 3 | 10A | 123 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato) | Max Bruch, Julia Fischer, Tonhalle Orchester Zürich, David Zinman | E♭ Major | 1 | 5B | 170 BPM | ||
Concerto a cinque No. 2, Op. 9: I. Allegro e no presto | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | D♭ Minor | 3 | 12A | 169 BPM | ||
Concerto Grosso in E Minor, Op. 3, No. 3: IV. Allegro | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | E Minor | 3 | 9A | 144 BPM |