"18 Chorales, BWV 651-668, "Leipziger Chorale": Chorale, Nun komm' der Heiden Heiland, BWV 659 (arr. for trumpet and organ)" by Johann Sebastian Bach, John Roderick MacDonald, Martin Stephan was released on November 30, 2003. With this song being about 5 minutes long, at 4:34, "18 Chorales, BWV 651-668, "Leipziger Chorale": Chorale, Nun komm' der Heiden Heiland, BWV 659 (arr. for trumpet and organ)" by Johann Sebastian Bach, John Roderick MacDonald, Martin Stephan is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 20 out of 26 in Festliche Musik Fur Trompete Und Orgel (Festive Music for Trumpet and Organ) by John Roderick MacDonald. 18 Chorales, BWV 651-668, "Leipziger Chorale": Chorale, Nun komm' der Heiden Heiland, BWV 659 (arr. for trumpet and organ) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 18 Chorales, BWV 651-668, "Leipziger Chorale": Chorale, Nun komm' der Heiden Heiland, BWV 659 (arr. for trumpet and organ) by Johann Sebastian Bach, John Roderick MacDonald, Martin Stephan is Larghetto (rather broadly), since this song has a tempo of 63 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Heroische Musik: I. Maestoso | Georg Philipp Telemann, John Roderick MacDonald, Martin Stephan | A Major | 2 | 11B | 114 BPM | ||
Organ Concerto No. 13 in F -"Cuckoo and the Nightingale" HWV 295: Larghetto | George Frideric Handel, Eduard Müller, Schola Cantorum Basiliensis, August Wenzinger | D♭ Minor | 1 | 12A | 79 BPM | ||
Sylvia, Act III: No. 20, Variation Dansée. Pizzicati (Arranged for Organ by Frank Kaman) | Frank Kaman | D Major | 5 | 10B | 156 BPM | ||
The New Sa-Hoo | Giles Farnaby, Matthias Höfs, Matthias Janz | C Major | 1 | 8B | 121 BPM | ||
Choralvorspiel und Fuge über "O Traurigkeit, o Herzeleid" WoO 7: Choralvorspiel | Clara Schumann, Anders Eidsten Dahl | E Major | 0 | 12B | 136 BPM | ||
12 Flute Sonatas (1724), Flute Sonata No. 2 in E Minor: III. Largo | Francesco Mancini, Dan Laurin, London Baroque | A♭ Minor | 0 | 1A | 75 BPM | ||
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": III. Presto Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 181 BPM | ||
Suite No. 2: Hymne au soleil | Louis Vierne, Olivier Latry | G Major | 3 | 9B | 81 BPM | ||
Lobt Gott, ihr Christen, allzugleich, BuxWV 202 | Dietrich Buxtehude, Friedhelm Flamme | A♭ Minor | 0 | 1A | 70 BPM | ||
Prelude In D Minor, BWV 926 : Prelude In D Minor, BWV 926 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM |