Felix Mendelssohn, Leonard Bernstein, New York Philharmonic's 'Symphony No. 4 in A Major, Op. 90 "Italian": I. Allegro vivace' came out on November 10, 2017. Symphony No. 4 in A Major, Op. 90 "Italian": I. Allegro vivace appears to be safe for all ages as it is not explicit. The track order of this song in Leonard Bernstein, New York Philharmonic's "Mendelssohn: Symphony No. 4 in A Major, Op. 90 "Italian" - Schubert: Symphony No. 8 in B Minor, D. 759 "Unfinished" (Remastered)" album is number 1 out of 6. Symphony No. 4 in A Major, Op. 90 "Italian": I. Allegro vivace is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 4 in A Major, Op. 90 "Italian": I. Allegro vivace by Felix Mendelssohn, Leonard Bernstein, New York Philharmonic to be Adagio (slowly with great expression) because the track has a tempo of 76 テンポ, a half-time of 38テンポ, and a double-time of 152 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pavane pour une infante défunte, M. 19 | Maurice Ravel, Anna Vinnitskaya | E Minor | 0 | 9A | 67 BPM | ||
L'Arlésienne Suite No. 2: Menuet | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 128 BPM | ||
4 Lyric Pieces, Op. 74: No. 3 Auf dem Tanzvergnugen (The Pleasures of the Dance) | Jean Sibelius, Håvard Gimse | C Major | 2 | 8B | 91 BPM | ||
3 Preludi Sopra Melodie Gregoriane, P. 131: I. Molto Lento | Ottorino Respighi, Konstantin Scherbakov | A♭ Minor | 0 | 1A | 70 BPM | ||
Pelléas et Mélisande, Op.80: 3. Sicilienne | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 111 BPM | ||
Lieder ohne Worte, Op.19: No. 5 In F Sharp Minor (Agitato), MWV U 90 - "Restlessness" | Felix Mendelssohn, Daniel Barenboim | F♯ Minor | 1 | 11A | 128 BPM | ||
Valse Fantaisie, Op.49 | Raoul Koczalski, Ingolf Wunder | B Minor | 0 | 10A | 66 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : IV. Allegro | Arcangelo Corelli, Anna Holbling, Daniela Ruso, Quido Holbling, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 129 BPM | ||
Fantasia And Fugue In A Minor, BWV 904 : Fugue | Janos Sebestyen, Johann Sebastian Bach | A Minor | 3 | 8A | 132 BPM | ||
Savior of the Nations, Come, BWV 659 (Arr. for 4 Cellos) | Johann Sebastian Bach, Sheku Kanneh-Mason, Hannah Roberts, Ben Davies, Max Ruisi | C Major | 0 | 8B | 122 BPM |