Kirill Molchanov, Dmitri Hvorostovsky, Constantine Orbelian, Moscow Chamber Orchestra's 'Wait for Me' came out on October 1, 2005. With this song being about 5 minutes long, at 4:30, "Wait for Me" by Kirill Molchanov, Dmitri Hvorostovsky, Constantine Orbelian, Moscow Chamber Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Dmitri Hvorostovsky's "Moscow Nights" album is number 6 out of 17. On top of that, United States appears to be the country where this track was created. In terms of popularity, Wait for Me is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Wait for Me by Kirill Molchanov, Dmitri Hvorostovsky, Constantine Orbelian, Moscow Chamber Orchestra to be Moderato (at a moderate speed) because the track has a tempo of 116 テンポ, a half-time of 58テンポ, and a double-time of 232 テンポ. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il trovatore: Act I: Tace la notte! | Giuseppe Verdi, Sondra Radvanovsky, Philharmonia of Russia, Constantine Orbelian | A♭ Major | 2 | 4B | 135 BPM | ||
There are so many pretty girls | Isaak Dunayevsky, Dmitri Hvorostovsky, Constantine Orbelian, Moscow Chamber Orchestra | D Major | 3 | 10B | 134 BPM | ||
Adriana Lecouvreur / Act 1: Io son l'umile ancella | Francesco Cilea, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | A♭ Major | 1 | 4B | 89 BPM | ||
Le violette | Alessandro Scarlatti, Luciano Pavarotti, John Wustman | B♭ Major | 2 | 6B | 107 BPM | ||
L'elisir d'Amor: Una furtiva lagrima | Carlo Bergonzi | F Minor | 3 | 4A | 63 BPM | ||
La sonnambula, Act I: Come per me sereno | Vincenzo Bellini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto | E♭ Major | 1 | 5B | 88 BPM | ||
La fantasia | Anna Netrebko | A Minor | 4 | 8A | 72 BPM | ||
Norma (1997 Digital Remaster), ACT 1, Scene 1: Sediziose voci (Norma/Oroveso/Coro) | Vincenzo Bellini, Maria Callas, Nicola Zaccaria, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | B♭ Minor | 1 | 3A | 85 BPM | ||
La fille du régiment / Act 1: Rataplan, rataplan, rataplan | Gaetano Donizetti, Eric Garrett, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | E Major | 6 | 12B | 127 BPM | ||
Oboe Concerto in C Major, K. 271k / K. 314: II. Adagio non troppo | Wolfgang Amadeus Mozart, Allan Vogel, Moscow Chamber Orchestra, Constantine Orbelian | A Minor | 0 | 8A | 129 BPM |