"Cavalleria Rusticana (1987 - Remaster): Fior di giaggiolo (Lola/Turiddu/Santuzza)" by Pietro Mascagni, Montserrat Caballé, Riccardo Muti, Philharmonia Orchestra was released on 1979. The duration of Cavalleria Rusticana (1987 - Remaster): Fior di giaggiolo (Lola/Turiddu/Santuzza) is about 3 minutes long, at 3:06. Based on our data, "Cavalleria Rusticana (1987 - Remaster): Fior di giaggiolo (Lola/Turiddu/Santuzza)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Riccardo Muti, Philharmonia Orchestra's "Mascagni: Cavalleria Rusticana/Leoncavallo: I Pagliacci" album is number 12 out of 44. Cavalleria Rusticana (1987 - Remaster): Fior di giaggiolo (Lola/Turiddu/Santuzza) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cavalleria Rusticana (1987 - Remaster): Fior di giaggiolo (Lola/Turiddu/Santuzza) by Pietro Mascagni, Montserrat Caballé, Riccardo Muti, Philharmonia Orchestra to be Adagio (slowly with great expression) because the track has a tempo of 74 テンポ, a half-time of 37テンポ, and a double-time of 148 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gaîté parisienne: Barcarolle | Jacques Offenbach, Boston Symphony Orchestra, Seiji Ozawa | A Minor | 0 | 8A | 135 BPM | ||
Cavalleria Rusticana: "Regina coeli laetare" | Pietro Mascagni, Elina Garanca, Deutsche Radio Philharmonie Saarbrücken, Karel Mark Chichon, Latvian Radio Choir, Opernchor Saarbrücken | G Major | 2 | 9B | 86 BPM | ||
Il barbiere di Siviglia: Overture (Sinfonia) | Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 1 | 12B | 92 BPM | ||
Barcarolle: Schöne Nacht, du Liebesnacht - Hoffmanns Erzählungen | Jacques Offenbach, Jesús López-Cobos, Hei-Kyung Hong, Jennifer Larmore, Munich Radio Orchestra | D Major | 2 | 10B | 81 BPM | ||
Mozart: Concerto For Clarinet And Orchestra In A (K. 622) | Jack Brymer, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 0 | 10B | 84 BPM | ||
Gypsy Melodies, Op. 55, B. 104: IV. Songs My Mother Taught Me (Adapt. for Cello and Orchestra) | Antonín Dvořák, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | C Minor | 1 | 5A | 100 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
Romance No. 2 In F Major, Op. 50 | Slovak Philharmonic, Takako Nishizaki, Ludwig van Beethoven | F Major | 1 | 7B | 88 BPM | ||
Cavalleria rusticana: "Viva il vino spumeggiante" (Brindisi) | Pietro Mascagni, Adriane Martino, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | A♭ Major | 3 | 4B | 126 BPM | ||
Prince Igor, Act II: Polovtsian Dances, Dance II | Alexander Borodin, Choir of Mariinsky Theatre, Saint Petersburg, Paavo Järvi, Orchestre Philharmonique de Radio France | A Major | 1 | 11B | 75 BPM |