"Primordial Rapture" by Howard Shore had its release date on June 10, 2022. The duration of This song is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Primordial Rapture's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 17 in Crimes of the Future (Original Motion Picture Soundtrack) by Howard Shore. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Primordial Rapture is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Primordial Rapture by Howard Shore is Andante (at a walking pace), since this song has a tempo of 89 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Alex and Temple | Emile Mosseri | F Minor | 2 | 4A | 73 BPM | ||
La Loma Bridge | Thomas Newman | B♭ Minor | 1 | 3A | 136 BPM | ||
A Day in the Life | Nathan Johnson | A♭ Major | 4 | 4B | 130 BPM | ||
Raised by Wolves | Marc Streitenfeld | G Minor | 2 | 6A | 115 BPM | ||
The Amendment | Stephen Warbeck | E♭ Major | 1 | 5B | 75 BPM | ||
Un Mundo Destruido | Fernando Velázquez | D Major | 0 | 10B | 64 BPM | ||
Meat Wagon | Thomas Newman | F Major | 0 | 7B | 65 BPM | ||
Credits / Always Were / Mark Lake | Oliver Coates | A♭ Major | 2 | 4B | 96 BPM | ||
King's Dream | Clark | A♭ Minor | 0 | 1A | 143 BPM | ||
Finale | Howard Shore, Munich Symphony | D Minor | 2 | 7A | 140 BPM |