"Cantata No. 106, 'Gottes Zeit ist die allerbeste Zeit' BWV106: Sonatina" by Johann Sebastian Bach, Wolfgang Gönnenwein/Edith Mathis/Sybil Michelow/Franz Crass/Theo Altmeyer/Süddeutscher Madrigalchor/Consortium Musicum, Wolfgang Gönnenwein was released on 2006. The duration of Cantata No. 106, 'Gottes Zeit ist die allerbeste Zeit' BWV106: Sonatina is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Cantata No. 106, 'Gottes Zeit ist die allerbeste Zeit' BWV106: Sonatina's duration is considered a little bit shorter than the average duration of a typical track. The song is number 17 out of 100 in Alle 100 Goed: Bach by Johann Sebastian Bach, Various Artists. Based on our statistics, Cantata No. 106, 'Gottes Zeit ist die allerbeste Zeit' BWV106: Sonatina's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cantata No. 106, 'Gottes Zeit ist die allerbeste Zeit' BWV106: Sonatina by Johann Sebastian Bach, Wolfgang Gönnenwein/Edith Mathis/Sybil Michelow/Franz Crass/Theo Altmeyer/Süddeutscher Madrigalchor/Consortium Musicum, Wolfgang Gönnenwein is Allegro (fast, quick, and bright), since this song has a tempo of 129 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Tic-Toc-Choc ou Les Maillotins (18e ordre) | François Couperin, Alexandre Tharaud | F Major | 3 | 7B | 133 BPM | ||
Lyric Pieces, Book 1, Op. 12: I. Arietta | Edvard Grieg, Javier Perianes | B♭ Major | 0 | 6B | 72 BPM | ||
Oboe Concerto in C: 3. Siciliana | Domenico Cimarosa, Heinz Holliger, I Musici | A Minor | 1 | 8A | 84 BPM | ||
Deuxieme livre, Suite en Mi: X. Tambourin | Jean-Philippe Rameau, Alexander Paley | A Major | 1 | 11B | 130 BPM | ||
Rondo in D Minor, Wq. 61/4, H. 290 | Carl Philipp Emanuel Bach, Christopher Hinterhuber | B♭ Major | 1 | 6B | 135 BPM | ||
Nocturne No.3 In B, Op.9 No.3 | Frédéric Chopin, Maurizio Pollini | F♯ Major | 0 | 2B | 68 BPM | ||
Nisi Dominus, RV 608 - Arr. Cello: 4. Cum dederit dilectis suis (Arr. Cello) | Antonio Vivaldi, Harriet Krijgh, Amsterdam Sinfonietta, Candida Thompson | G Minor | 0 | 6A | 106 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: II. Largo Ovvero Adagio | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 2 | 5A | 176 BPM | ||
Sonata for Cello and Piano No. 4 in C Major, Op. 102 No. 1: I. Andante | Ludwig van Beethoven, Mischa Maisky, Martha Argerich | C Major | 0 | 8B | 66 BPM | ||
Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": 2. Adagio un poco mosso | Ludwig van Beethoven, Alfred Brendel, Wiener Philharmoniker, Sir Simon Rattle | B Major | 0 | 1B | 85 BPM |