"12 German Dances, D790: No.4" by Franz Schubert, Mitsuko Uchida was released on January 1, 2002. With 12 German Dances, D790: No.4 being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 24 in the song's album "Schubert: Piano Sonatas D664, D537 etc". In this album, this song's track order is #16. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, 12 German Dances, D790: No.4 is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With 12 German Dances, D790: No.4 by Franz Schubert, Mitsuko Uchida having a テンポ of 111 with a half-time of 56 テンポ and a double-time of 222 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Three Ecossaises Op. Post 72, No. 3 - 1, 2 + 3: No. 1 In D Major | Frédéric Chopin, Anatol Ugorski | D Major | 1 | 10B | 95 BPM | ||
Fantasia in D Major, Wq. 117/14, H. 160 | Carl Philipp Emanuel Bach, Ana-Marija Markovina | A Major | 1 | 11B | 126 BPM | ||
Piano Sonata No. 19 in C minor, D.958: IV. Allegro | Franz Schubert, Daniel Barenboim | B♭ Major | 0 | 6B | 115 BPM | ||
Etudes-tableaux, Op. 33: No. 9 in C-Sharp Minor. Grave | Sergei Rachmaninoff, Nikolai Lugansky | B♭ Minor | 3 | 3A | 119 BPM | ||
Valses nobles et sentimentales, M. 61: V. Presque lent, dans un sentiment intime | Maurice Ravel, Steven Osborne | C Major | 0 | 8B | 73 BPM | ||
24 Preludes, Op. 11: No. 12 in G-Sharp Minor | Alexander Scriabin, Evgeny Zarafiants | E Minor | 2 | 9A | 151 BPM | ||
18 Études, Op. 109: No. 12, Le réveil dans les bois | Franz Burgmüller, Carl Petersson | F Major | 4 | 7B | 194 BPM | ||
24 Preludes, Op. 11: No. 5 in D Major | Alexander Scriabin, Evgeny Zarafiants | F Major | 1 | 7B | 110 BPM | ||
Piano Sonata In F Minor, P. 16: III. Allegretto | Ottorino Respighi, Konstantin Scherbakov | B♭ Minor | 1 | 3A | 98 BPM | ||
Valses nobles et sentimentales, M. 61: IV. Assez animé | Maurice Ravel, Steven Osborne | C Major | 0 | 8B | 73 BPM |