"Psalm 33 - Liefde begint met zingen" by Koor voor Nieuwe Nederlandse Religieuze Muziek, Huub Oosterhuis, Antoine Oomen had its release date on December 1, 2023. The duration of This song is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Psalm 33 - Liefde begint met zingen's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 150 psalmen vrij, so we believe that "Psalm 33 - Liefde begint met zingen" is a single. Psalm 33 - Liefde begint met zingen is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Psalm 33 - Liefde begint met zingen by Koor voor Nieuwe Nederlandse Religieuze Muziek, Huub Oosterhuis, Antoine Oomen is Andante (at a walking pace), since this song has a tempo of 84 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Deus nobiscum (Version for Soprano, Choir & Orchestra): VIII. Agnus Dei | Philip Stopford, Choir of St Luke's, Chelsea, Chelsea Camerata, Jeremy Summerly | B♭ Major | 2 | 6B | 70 BPM | ||
Lobt Gott, erlöste Scharen | Kammerchor Wilhelmshaven | F Major | 1 | 7B | 83 BPM | ||
Mass in C Major, "Messe breve No. 7 aux chapelles": Gloria | Charles Gounod, Patrick Herget, Axel Werntges, Hartmut Roth, Philipp Tetzlaff, Martin Schmeding, Jugendkantorei Hosel, Toralf Hildebrandt | C Major | 2 | 8B | 132 BPM | ||
A New Commandment | Richard Shephard, The Ecclesium Choir, Philip Stopford | E Major | 1 | 12B | 77 BPM | ||
Τῇ ὑπερμάχῳ στρατηγῷ (The Salutations to the Theotokos) | The Church of our Saviour Choirs, Petros Hatjopoulos | G Major | 2 | 9B | 98 BPM | ||
Fi Ibukun Re Tu Wa Ka | Bode Afolabi | A Major | 3 | 11B | 89 BPM | ||
I guds tystnad får jag vara | Fredrik Sixten, Gustaf Sjökvists Kammarkör, Patrik Sandin | C Major | 2 | 8B | 123 BPM | ||
O sacrum convivium | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | B♭ Major | 2 | 6B | 74 BPM | ||
Divine Harmony ( Modern version) | Christian Chants, Gregorian Chants, Gregorian Chant | C Major | 1 | 8B | 66 BPM | ||
Annelies (chamber version): II. The capture foretold | James Whitbourn, Arianna Zukerman, Westminster Williamson Voices, Lincoln Trio, Bharat Chandra, James Jordan | C Minor | 1 | 5A | 101 BPM |