"Im Walde" by Friedrich Wilhelm Kücken, ffortissibros, Benedikt Kantert was released on May 24, 2024. With this song being around four minutes long, at 4:20, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Friedrich Wilhelm Kücken, ffortissibros, Benedikt Kantert's "Liebes Kücken,... (Friedrich Wilhelm Kücken: Werke für Männerchor)" album is number 1 out of 17. On top of that, Germany appears to be the country where this track was created. Im Walde is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Im Walde by Friedrich Wilhelm Kücken, ffortissibros, Benedikt Kantert to be Larghetto (rather broadly) because the track has a tempo of 65 テンポ, a half-time of 32テンポ, and a double-time of 130 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Till Death Us Do Part (SATB div & Piano) | Kim André Arnesen, RSVP Voices, Rob Johnston | D Minor | 0 | 7A | 92 BPM | ||
Oi kiitos, sa Luojani armollinen | Oskar Merikanto, Lauri Nurkkala, Eino Leino, Kamarikuoro Sofia Magdalena | F Major | 1 | 7B | 74 BPM | ||
Kačena divoká | Leoš Janáček, Wiener Kammerchor, Michael Grohotolsky | G Major | 1 | 9B | 78 BPM | ||
Motett, "Stilla komme och välkomna vare dagens slut och lön!" | Sara Wennerberg-Reuter, St. Pauli Vokalensemble | F Minor | 3 | 4A | 91 BPM | ||
St. Matthew Passion, BWV 244, Pt. 1 (Excerpts): No. 15, Receive Me, My Redeemer [Arr. for Choir] | Johann Sebastian Bach, The Bach Choir, David Hill | D Major | 2 | 10B | 88 BPM | ||
Israel in Egypt, HWV 54, Pt 3. "Moses' Song": IX. Who is like unto thee (Chorus) | George Frideric Handel, Apollo's Fire, Jeannette Sorrell, Apollo's Singers | B Major | 4 | 1B | 110 BPM | ||
Weihnachtslieder, Op. 8: No. 3, The Three Kings (Arr. Atkins/Park) | Peter Cornelius, Owain Park, The Gesualdo Six | G Major | 1 | 9B | 95 BPM | ||
Tjuven | Kongl. Teknologkören | B♭ Major | 3 | 6B | 134 BPM | ||
Fem Latinske Kirkekor: 3. Venite, Filii | Arild Sandvold, Schola Cantorum, Kåre Hanken | A Major | 1 | 11B | 78 BPM | ||
XV. Es ist allhier ein Jammertal | Heinrich Schütz, Capella De La Torre, Bavarian Radio Chorus, Katharina Bauml, Florian Helgath | G Major | 1 | 9B | 93 BPM |