"G線上のアリア(J.S.バッハ/ヴィルヘルミ編)" by 千葉純子, 浦壁信二 was released on April 23, 2014. With this song being about 5 minutes long, at 4:36, "G線上のアリア(J.S.バッハ/ヴィルヘルミ編)" by 千葉純子, 浦壁信二 is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Various Artists's "I Love Classics 100" album is number 53 out of 100. G線上のアリア(J.S.バッハ/ヴィルヘルミ編) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of G線上のアリア(J.S.バッハ/ヴィルヘルミ編) by 千葉純子, 浦壁信二 to be Andante (at a walking pace) because the track has a tempo of 79 テンポ, a half-time of 40テンポ, and a double-time of 158 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Waltz-Fantasy: Waltz-Fantasy | Mikhail Glinka, Yuri Simonov, Moscow Philharmonic Orchestra | E Minor | 3 | 9A | 99 BPM | ||
スケルツォ・タランテラ | Henryk Wieniawski, Ida Haendel, アルフレード・ホレチェク | G Major | 3 | 9B | 105 BPM | ||
Zigeunerweisen, Op. 20: II. Lento | Pablo de Sarasate, Anne-Sophie Mutter, Wiener Philharmoniker, James Levine | C Minor | 1 | 5A | 77 BPM | ||
Romantic Pieces, Op.75, Allegro maestoso | アントニーン・ドヴォルザーク, KIM NAYOUNG | D Minor | 3 | 7A | 100 BPM | ||
Romantic Pieces, Op.75, Allegro appassionato | アントニーン・ドヴォルザーク, KIM NAYOUNG | B♭ Major | 2 | 6B | 138 BPM | ||
Around the World (From "Around the World in 80 Days") | Yoko Ara, Takehiko Yamada | E♭ Minor | 1 | 2A | 94 BPM | ||
8 Pieces, Op. 83: III. Andante con moto – Andante | Max Bruch, Philon Trio | F♯ Minor | 0 | 11A | 63 BPM | ||
Mist of Scented Harbor for solo violin: III. Metropolis | Angel Lam, Patrick Yim | G Minor | 2 | 6A | 87 BPM | ||
Romeo and Juliet, Op. 64: The Montagues and Capulets | Sergei Prokofiev, Benjamin Beck, Marie Rosa Günter | E Minor | 0 | 9A | 99 BPM | ||
6 Preludes and Fugues in Free Style, Op. 53: Prelude No. 6 in C Minor | Anton Rubinstein, Martin Cousin | A♭ Major | 0 | 4B | 70 BPM |