"6 Etudes pour la main gauche seule, Op. 135: IV. Bourrée. Molto allegro" by Camille Saint-Saëns, Piers Lane was released on October 1, 1998. With this song being around four minutes long, at 3:42, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 22 in the song's album "Saint-Saëns: The Complete Etudes for Piano". In this album, this song's track order is #19. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, 6 Etudes pour la main gauche seule, Op. 135: IV. Bourrée. Molto allegro is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 6 Etudes pour la main gauche seule, Op. 135: IV. Bourrée. Molto allegro by Camille Saint-Saëns, Piers Lane having a テンポ of 91 with a half-time of 46 テンポ and a double-time of 182 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
20 Waltzes, Op. 127, D.146: No. 3 in E Minor | Franz Schubert, Pierre-Laurent Aimard | D Major | 1 | 10B | 128 BPM | ||
24 Preludes, Op. 28: No. 4 in E Minor. Largo | Frédéric Chopin, Lívia Rév | E Minor | 0 | 9A | 67 BPM | ||
Serenade for Wind Instruments, Op. 44, B. 77 (Excerpts Arr. P. Breiner for Piano): II. Tempo di minuet | Antonín Dvořák, Peter Breiner | G Minor | 0 | 6A | 70 BPM | ||
Play Time | Nikki Calmero | B♭ Major | 3 | 6B | 87 BPM | ||
Preludes, Op. 23: Prelude in E-Flat Major, Op. 23, No. 6, Andante | Sergei Rachmaninoff, Juan Francisco Otón | A♭ Major | 0 | 4B | 74 BPM | ||
25 Études faciles et progressives, Op. 100: No. 7, Le courant limpide | Franz Burgmüller, Carl Petersson | D Major | 1 | 10B | 85 BPM | ||
Deux Arabesques, L. 66: No. 2, Allegretto scherzando | Claude Debussy, Saskia Giorgini | A Minor | 1 | 8A | 134 BPM | ||
24 Préludes, Op. 28, C. 166-189: 9 in E Major | Frédéric Chopin, Alicia de Larrocha | E Major | 0 | 12B | 64 BPM | ||
Piano Concerto No. 2, Op. 22: III. Presto - Due-Art 5973 | Camille Saint-Saëns, Peter Phillips, Harold Bauer | A Minor | 1 | 8A | 113 BPM | ||
À la manière de Borodine, M. 63/1 | Maurice Ravel, Steven Osborne | C Major | 0 | 8B | 73 BPM |