Sergei Rachmaninoff, Nikolai Rimsky-Korsakov, Patrick Wedd made "Tale of Tsar Saltan, Op. 57 (arr. S. Rachmaninov for piano): The Tale of Tsar Saltan: Flight of the Bumble-bee" available on January 1, 2000. With Tale of Tsar Saltan, Op. 57 (arr. S. Rachmaninov for piano): The Tale of Tsar Saltan: Flight of the Bumble-bee being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 13 in the song's album "Organ Favorites On Vancouver's Orpheum Grand Wurlitzer". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Canada. In terms of popularity, Tale of Tsar Saltan, Op. 57 (arr. S. Rachmaninov for piano): The Tale of Tsar Saltan: Flight of the Bumble-bee is currently unknown. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Tale of Tsar Saltan, Op. 57 (arr. S. Rachmaninov for piano): The Tale of Tsar Saltan: Flight of the Bumble-bee by Sergei Rachmaninoff, Nikolai Rimsky-Korsakov, Patrick Wedd having a テンポ of 112 with a half-time of 56 テンポ and a double-time of 224 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM | ||
The Bells, Op. 35: 2. Lento (Golden Bells) | Sergei Rachmaninoff, Natalia Troitskaya, Chorus of the Concertgebouw Orchestra, Royal Concertgebouw Orchestra, Vladimir Ashkenazy | B Minor | 2 | 10A | 132 BPM | ||
Sometimes I Feel Like a Motherless Child | Samuel Coleridge-Taylor, Isata Kanneh-Mason | C Major | 1 | 8B | 68 BPM | ||
Douce rêverie in G Minor | Tekla Bądarzewska-Baranowska, Hiroko Ishimoto | G Minor | 1 | 6A | 131 BPM | ||
Mussorgsky: Pictures at an Exhibition: II. The Old Castle | Modest Mussorgsky, Elisabeth Leonskaja | B♭ Major | 0 | 6B | 135 BPM | ||
Clarinet Trio in A Minor, Op. 114: I. Allegro | Johannes Brahms, Andreas Ottensamer, Gautier Capuçon, Yuja Wang | A Minor | 1 | 8A | 68 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | D Minor | 1 | 7A | 112 BPM | ||
Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino | Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
Etude Op. 25 no. 9 in G Flat Major | Valentina Lisitsa | F♯ Major | 2 | 2B | 111 BPM | ||
Poulenc: Mélancolie, FP 105 | Francis Poulenc, Alexandre Tharaud | D Major | 1 | 10B | 71 BPM |