Camille Saint-Saëns, Andrew von Oeyen, Emmanuel Villaume, Prague Philharmonia's 'Saint-Saëns: Piano Concerto No. 2, Op. 22: II. Allegro scherzando' came out on January 13, 2017. Saint-Saëns: Piano Concerto No. 2, Op. 22: II. Allegro scherzando is about six minutes long, preciously at 5:59, making this song fairly long compared to other songs. There are a total of 8 in the song's album "Saint-Saëns, Ravel & Gershwin: Piano Concertos". In this album, this song's track order is #2. Based on our statistics, Saint-Saëns: Piano Concerto No. 2, Op. 22: II. Allegro scherzando's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Saint-Saëns: Piano Concerto No. 2, Op. 22: II. Allegro scherzando by Camille Saint-Saëns, Andrew von Oeyen, Emmanuel Villaume, Prague Philharmonia having a テンポ of 121 with a half-time of 60 テンポ and a double-time of 242 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Organ Sonata No. 4, BWV 528: II. Andante [Adagio] (Transcr. by August Stradal) | Johann Sebastian Bach, Víkingur Ólafsson | B Minor | 0 | 10A | 71 BPM | ||
Capriccio brillant, Op. 22: Andante | Felix Mendelssohn, Matthias Kirschnereit, Michael Sanderling, Frankfurt Radio Symphony Orchestra | B Major | 0 | 1B | 91 BPM | ||
Jazz Suite No. 1: I. Waltz | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | E♭ Major | 1 | 5B | 173 BPM | ||
Thaïs: Médiation | Jules Massenet, Arabella Steinbacher, Orchestre Philharmonique de Monte-Carlo, Lawrence Foster | D Major | 0 | 10B | 91 BPM | ||
Young Birches, Op. 128, No. 2 | Amy Beach, Joanne Polk | F♯ Minor | 1 | 11A | 170 BPM | ||
Danse macabre, Op. 40 (Arr. F. Liszt, V. Horowitz and y. Sudbin for piano) | Camille Saint-Saëns, Yevgeny Sudbin | E♭ Major | 2 | 5B | 90 BPM | ||
3 Gymnopédies: No. 1, Lent et douloureux | Erik Satie, Khatia Buniatishvili | G Major | 0 | 9B | 76 BPM | ||
Vocalise, Op. 34, No. 14 | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | E Minor | 1 | 9A | 76 BPM | ||
The Flight of the Bumblebee | Sergei Rachmaninoff, Nikolai Rimsky-Korsakov, Finghin Collins | D Minor | 2 | 7A | 92 BPM | ||
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM |