Sadie made "why'd you only call me when you're high - slowed" available on January 12, 1988. why'd you only call me when you're high - slowed is 2 minutes and 59 seconds long and may contain bad words that may be unsuitable for children. Since why'd you only call me when you're high - slowed only contains only one song in the album, we like to consider this song as a single. The popularity of why'd you only call me when you're high - slowed is currently unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since why'd you only call me when you're high - slowed by Sadie has a tempo of 166 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With why'd you only call me when you're high - slowed being at 166 テンポ, the half-time would be 83 テンポ with a double-time of 332 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Till Death Us Do Part (SATB div & Piano) | Kim André Arnesen, RSVP Voices, Rob Johnston | D Minor | 0 | 7A | 92 BPM | ||
Blessed from Amazon | Christopher P Sly | C Major | 3 | 8B | 85 BPM | ||
Lost Love | Thomas Otten | E Minor | 1 | 9A | 122 BPM | ||
Romanzen, Book 1, Op. 69: No. 5. Meerfey | Robert Schumann, Aquarius, Marc Michael de Smet | G Minor | 0 | 6A | 75 BPM | ||
Ave Maria, D.839 | Franz Schubert, Willa Weber, Hanna Dys | A♭ Major | 2 | 4B | 86 BPM | ||
Beau soir, L. 6 | Dilyana Georgieva, Galina Apostolova | F♯ Minor | 2 | 11A | 142 BPM | ||
Annelies (chamber version): XI. Passing of time | James Whitbourn, Arianna Zukerman, Westminster Williamson Voices, Lincoln Trio, Bharat Chandra, James Jordan | D Minor | 1 | 7A | 63 BPM | ||
So wünsch ich ein gute Nacht | Rundfunk-Jugendchor Wernigerode (Männerchor) | D Major | 3 | 10B | 139 BPM | ||
Symphony No. 2: Movement III | Cliff Eidelman, Royal Scottish National Orchestra, Jessie Shulman, Michael McHale | D Minor | 0 | 7A | 114 BPM | ||
Waiting for the Sun to Come Out | Tatiana Bookbinder | G Major | 2 | 9B | 121 BPM |