"Roméo et Juliette, CG 9: Ah! Lève-toi, soleil!" by Charles Gounod, Jules Barbier, Michel Carré, Fernando De La Mora, Welsh National Opera Orchestra, Sir Charles Mackerras was released on August 1, 1995. With this song being about 5 minutes long, at 4:40, "Roméo et Juliette, CG 9: Ah! Lève-toi, soleil!" by Charles Gounod, Jules Barbier, Michel Carré, Fernando De La Mora, Welsh National Opera Orchestra, Sir Charles Mackerras is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 16 in the song's album "The Artistry of Fernando de la Mora". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. In terms of popularity, Roméo et Juliette, CG 9: Ah! Lève-toi, soleil! is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Roméo et Juliette, CG 9: Ah! Lève-toi, soleil! by Charles Gounod, Jules Barbier, Michel Carré, Fernando De La Mora, Welsh National Opera Orchestra, Sir Charles Mackerras having a テンポ of 91 with a half-time of 46 テンポ and a double-time of 182 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.1 in C major BWV846 | Daniel Barenboim | C Major | 0 | 8B | 95 BPM | ||
II. Adagio cantabile from Piano Sonata No. 8 in C minor, Op. 13 "Pathetique" - Instrumental | Ludwig van Beethoven, Murray Perahia | A♭ Major | 0 | 4B | 62 BPM | ||
Kinderszenen (Scenes of Childhood), Op. 15: I. Von fremden Landern und Menschen (Of Foreign Lands and People) | Robert Schumann, Jenő Jandó | G Major | 0 | 9B | 66 BPM | ||
A Chloris (Arr. For Cor Anglais & Orchestra) | Reynaldo Hahn, Albrecht Mayer, Academy of St. Martin in the Fields, Mathias Mönius | E Major | 0 | 12B | 87 BPM | ||
Faust: Salut! Demeure Chaste Et Pure | Peter Dvorsky, Slovak Radio Symphony Orchestra, Charles Gounod, Jules Barbier, Michel Carre | A♭ Major | 2 | 4B | 82 BPM | ||
Andante Cantabile | Pyotr Ilyich Tchaikovsky, St. Lawrence String Quartet | B♭ Major | 0 | 6B | 90 BPM | ||
Kinderszenen, Op. 15: No. 10 Fast zu ernst | Robert Schumann, Wilhelm Kempff | G Major | 0 | 9B | 69 BPM | ||
Gounod: Faust, CG 4, Act 2 Scene 5: Waltz | Charles Gounod, Willi Boskovsky/Wiener Symphoniker, Willi Boskovsky, Wiener Philharmoniker, Wiener Symphoniker | D Major | 2 | 10B | 92 BPM | ||
Handel / Orch. Hale: Keyboard Suite No. 4 in D Minor, HWV 437: III. Sarabande | George Frideric Handel, Alexander Briger, Academy of St. Martin in the Fields | D Minor | 0 | 7A | 116 BPM | ||
Piano Concerto No. 6: II. Larghetto | John Field, Matthias Bamert, London Mozart Players, Miceal O'Rourke | E Major | 0 | 12B | 79 BPM |