François Couperin, Jordi Savall, Tom Koopman, Ariane Maurette's 'Pièces de clavecin du manuscrit Bauyn, Suite No. 13 in G Minor: No. 96, Chaconne ou passacaille - Arr. for Bass Viol and Harpsichord' came out on January 1, 1992. Pièces de clavecin du manuscrit Bauyn, Suite No. 13 in G Minor: No. 96, Chaconne ou passacaille - Arr. for Bass Viol and Harpsichord is about six minutes long, preciously at 5:52, making this song fairly long compared to other songs. The track order of this song in Various Artists's "La musique au temps de Marin Marais" album is number 14 out of 15. In terms of popularity, Pièces de clavecin du manuscrit Bauyn, Suite No. 13 in G Minor: No. 96, Chaconne ou passacaille - Arr. for Bass Viol and Harpsichord is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pièces de clavecin du manuscrit Bauyn, Suite No. 13 in G Minor: No. 96, Chaconne ou passacaille - Arr. for Bass Viol and Harpsichord by François Couperin, Jordi Savall, Tom Koopman, Ariane Maurette to be Moderato (at a moderate speed) because the track has a tempo of 112 テンポ, a half-time of 56テンポ, and a double-time of 224 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sarabande et rigaudon, Op. 93: Sarabande | Camille Saint-Saëns, Orchestre National de Lille, Jun Markl | E Major | 1 | 12B | 84 BPM | ||
8 Pièces brèves, Op. 84: No. 5, Improvisation in C-Sharp Minor | Gabriel Fauré, Christine Croshaw | F♯ Minor | 0 | 11A | 70 BPM | ||
Concerto Grosso in B-Flat Major, Op. 3, No. 1, HWV 312: III. Allegro | George Frideric Handel, Pamela Thorby, Rebecca Austen-Brown, Academy of St. Martin in the Fields, Iona Brown | G Minor | 4 | 6A | 120 BPM | ||
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | ||
Dreaming, Op. 15 No. 3 | Amy Beach, Ambache | F Major | 0 | 7B | 75 BPM | ||
Cello Concerto No. 1 in C Major, Hob. VIIb:1: II. Adagio | Franz Joseph Haydn, Yo-Yo Ma, José-Luis Garcia, English Chamber Orchestra | F Major | 1 | 7B | 62 BPM | ||
Cinquième concert: II. La Cupis | Jean-Philippe Rameau, Víkingur Ólafsson | D Minor | 0 | 7A | 136 BPM | ||
Toccata in G Minor (Arr. E. Netzer for Harp) | Alessandro Scarlatti, Elisa Netzer | C Minor | 1 | 5A | 100 BPM | ||
Música callada, Book 1: No. 3, Placide | Federico Mompou, Lilit Grigoryan | B♭ Major | 1 | 6B | 70 BPM | ||
5 Pieces en concert (arr. P. Bazelaire for cello and strings): I. Prelude | Paul Bazelaire, François Couperin, János Starker, Santa Fe Festival Orchestra | G Minor | 1 | 6A | 60 BPM |