"Concerto grosso in F, Op. 6, No. 9 - Rev. Vittorio Negri (1923 - ): 5. Adagio" by Arcangelo Corelli, Felix Ayo, Arnaldo Apostoli, Enzo Altobelli, Maria Teresa Garatti, Marijke Smit Sibinga, I Musici was released on January 1, 1990. With Concerto grosso in F, Op. 6, No. 9 - Rev. Vittorio Negri (1923 - ): 5. Adagio being less than two minutes long, at 1:04, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 16 out of 62 in Corelli: Concerti Grossi, Op. 6 by Arcangelo Corelli, I Musici. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Concerto grosso in F, Op. 6, No. 9 - Rev. Vittorio Negri (1923 - ): 5. Adagio is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto grosso in F, Op. 6, No. 9 - Rev. Vittorio Negri (1923 - ): 5. Adagio by Arcangelo Corelli, Felix Ayo, Arnaldo Apostoli, Enzo Altobelli, Maria Teresa Garatti, Marijke Smit Sibinga, I Musici is Andante (at a walking pace), since this song has a tempo of 79 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Konzert Nr. 3 F-dur \"Der Herbst\" Op. 8 Rv 293 Ad | Felix Ayo | A Major | 0 | 11B | 86 BPM | ||
Concerto pour flûte, violon, [violoncelle], cordes et basse continue en la majeur - Gratioso | Arion Ensemble | A♭ Major | 0 | 4B | 116 BPM | ||
Marais: Pièces en trio: Suite No. 1 en do majeur: II. Première sarabande | Marin Marais, Ensemble Amalia | B Major | 1 | 1B | 169 BPM | ||
Handel: Water Music, Suite No. 1 in F Major, HWV 348: VII. Bourrée | George Frideric Handel, Amsterdam Baroque Orchestra, Ton Koopman | E Major | 2 | 12B | 133 BPM | ||
Trio sonata no 9 in b minor ; Largo | Giovanni Bononcini, Yasunori Imamura, Fons Musicae | G Major | 0 | 9B | 74 BPM | ||
12 Violin Concertos, Op.9 - "La cetra" / Concerto No.10 in G major, RV300: 3. Allegro | Antonio Vivaldi, Felix Ayo, Enzo Altobelli, Maria Teresa Garatti, I Musici | D Major | 2 | 10B | 125 BPM | ||
Les goûts-réunis, ou Nouveaux Concerts, Concert No. 9 in E Major "Il ritratto dell'amore": No. 6, La noble fierté | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Concerto grosso No. 6 in D Major: II. Con furia (After D. Scarlatti's Kk. 29) [1] | Charles Avison, Akademie für Alte Musik Berlin, Georg Kallweit | D♭ Major | 1 | 3B | 139 BPM | ||
Airs for the Autumn: Belvedere: II. Non presto: Allegro | James Oswald, The Broadside Band | F♯ Minor | 3 | 11A | 99 BPM | ||
La serva padrona, symphonia avanti l'opera: Allegro | Giovanni Battista Pergolesi, Ensemble Baroque de Nice, Gilbert Bezzina, Isabelle Poulenard, Philippe Cantor | A♭ Major | 1 | 4B | 110 BPM |