Edvard Grieg, Eugene Ormandy's 'Peer Gynt, Suite No. 1, Op. 46: In the Hall of the Mountain King' came out on August 12, 2003. The duration of Peer Gynt, Suite No. 1, Op. 46: In the Hall of the Mountain King is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Peer Gynt, Suite No. 1, Op. 46: In the Hall of the Mountain King's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Edvard Grieg, Eugene Ormandy's "Grieg: Peer Gynt, Concerto Pour Piano" album is number 4 out of 12. In terms of popularity, Peer Gynt, Suite No. 1, Op. 46: In the Hall of the Mountain King is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Peer Gynt, Suite No. 1, Op. 46: In the Hall of the Mountain King by Edvard Grieg, Eugene Ormandy to be Andante (at a walking pace) because the track has a tempo of 107 テンポ, a half-time of 54テンポ, and a double-time of 214 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Der Freischütz, J. 277: Overture | Carl Maria von Weber, Staatskapelle Dresden, Carlos Kleiber | C Major | 2 | 8B | 70 BPM | ||
Raymonda, Act III: Variation for male dancer | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | A♭ Major | 0 | 4B | 61 BPM | ||
Carmen, Opera Suite No. 1: VI. Avec la garde montante, Act 1 | London Festival Orchestra Alfred Scholz | A Major | 3 | 11B | 127 BPM | ||
Peer Gynt, Op. 23: Act II, 7, In the Hall of the Mountain King | Edvard Grieg, Esa-Pekka Salonen | B Minor | 2 | 10A | 104 BPM | ||
La Campanella | Franz Liszt | A♭ Minor | 3 | 1A | 124 BPM | ||
Coppelia: Act I - Valse | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 89 BPM | ||
Romeo Et Juliette: Danse Des Chevaliers | Les Chœurs De L'armée Rouge | C Major | 2 | 8B | 99 BPM | ||
Carmina Burana: O Fortuna | Carl Orff, Cleveland Orchestra, Michael Tilson Thomas | B♭ Major | 2 | 6B | 149 BPM | ||
Toccata and Fugue in D Minor, BWV 565 | Johann Sebastian Bach, Hannes Kästner | D Minor | 1 | 7A | 66 BPM | ||
Sinfonía No. 9 in E Minor, Op. 95: IV. Allegro con fuoco | Orquesta Sinfónica de Viena, Eduard Van Linderberg | E Minor | 2 | 9A | 139 BPM |