Leonardo Vinci, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri made "Oratorio a 4 voci: “Tutti son del materno mio seno”" available on March 8, 2024. With this song being about 5 minutes long, at 5:23, "Oratorio a 4 voci: “Tutti son del materno mio seno”" by Leonardo Vinci, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Andreas Scholl, Alessandro Tampieri, Accademia Bizantina's "Invocazioni Mariane" album is number 6 out of 27. On top of that, France appears to be the country where this track was created. In terms of popularity, Oratorio a 4 voci: “Tutti son del materno mio seno” is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Oratorio a 4 voci: “Tutti son del materno mio seno” by Leonardo Vinci, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri to be Andante (at a walking pace) because the track has a tempo of 99 テンポ, a half-time of 50テンポ, and a double-time of 198 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Carnaval du Parnasse, Prologue Scene 1: Ariette. Que ce beau jour promet d’heureux instants (Clarice) | Jean-Joseph Cassanéa De Mondonville, Hasnaa Bennani, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko | F Minor | 4 | 4A | 141 BPM | ||
Vespasiano: È pur caro il poter dire | Carlo Pallavicino, Filippo Mineccia, Nereydas, Javier Ulises Illán | D Minor | 3 | 7A | 99 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 3: "Vieni, segui i miei passi" (Orfeo, Euridice) | Christoph Willibald Gluck, Stefan Plewniak, Elsa Dreisig, Jakub Józef Orliński, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Stabat Mater in G Minor: II. O quam tristis | Frantisek Tuma, Collegium 1704, Collegium vocale 1704, Vaclav Luks | D♭ Minor | 1 | 12A | 107 BPM | ||
3e Livre de Sonates à violon seul et basse continue, Sonata Sexta: I. Adagio | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Lachrimae | Johann Schop, Rachel Podger, Brecon Baroque | D♭ Minor | 1 | 12A | 119 BPM | ||
Musicalisches Gesang-Buch Georg Christian Schemelli: I. No. 19, Mein Jesu! was vor Seelenweh, BWV 487 | Johann Sebastian Bach, Masaaki Suzuki, Aki Matsui, Shimon Yoshida, Toru Yamamoto | E♭ Minor | 2 | 2A | 74 BPM | ||
Vinci: Artaserse: III. Minuetto | Leonardo Vinci, Diego Fasolis, Philippe Jaroussky, Max Emanuel Cenčić, Franco Fagioli, Valer Barna-Sabadus, I Barocchisti, Yuriy Mynenko, Daniel Behle, Concerto Köln | D♭ Major | 1 | 3B | 151 BPM | ||
Oratorio Maria dolorata: Sinfonia | Leonardo Vinci, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | E Minor | 1 | 9A | 99 BPM | ||
Issé: Issé, Prologue: Menuets | Andre Cardinal Destouches, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | D♭ Major | 2 | 3B | 103 BPM |