"L’etincelle, La scintilla (The Spark), Op. 20: L'etincelle, La scintilla, Op. 20" by Louis Moreau Gottschalk, Cecile Licad was released on April 14, 2003. The duration of L’etincelle, La scintilla (The Spark), Op. 20: L'etincelle, La scintilla, Op. 20 is about 3 minutes long, at 3:19. Based on our data, "L’etincelle, La scintilla (The Spark), Op. 20: L'etincelle, La scintilla, Op. 20" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Louis Moreau Gottschalk, Cecile Licad's "Gottschalk: Piano Music" album is number 10 out of 16. On top of that, Hong Kong appears to be the country where this track was created. The popularity of L’etincelle, La scintilla (The Spark), Op. 20: L'etincelle, La scintilla, Op. 20 is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of L’etincelle, La scintilla (The Spark), Op. 20: L'etincelle, La scintilla, Op. 20 by Louis Moreau Gottschalk, Cecile Licad to be Vivace (lively and fast) because the track has a tempo of 172 テンポ, a half-time of 86テンポ, and a double-time of 344 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lyric Pieces Book VIII, Op. 65: No. 6 Wedding Day At Troldhaugen | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Piano Concerto No. 2 in G Minor, Op. 22, R. 190: II. Allegro scherzando | Camille Saint-Saëns, Alexandre Kantorow, Tapiola Sinfonietta, Jean-Jacques Kantorow | E♭ Major | 1 | 5B | 113 BPM | ||
12 Etudes d'execution transcendante, Op. 11: No. 1 Lullaby | Sergei Lyapunov, Konstantin Scherbakov | F♯ Major | 0 | 2B | 90 BPM | ||
At a Georgia Campmeeting (1897) | Louis Moreau Gottschalk, Kerry Mills, Greg McCallum, Kenneth Frazelle, Julie Harris, William Grant Still, Frederic Rzewski | D♭ Major | 3 | 3B | 96 BPM | ||
Petite Valse, Miniatures Op. 10 No. 2 (Gennari Karganoff (Korganov)) | The Gerst Ensemble | D Major | 0 | 10B | 85 BPM | ||
Barocco Suite No. 5 for Chamber Orchestra, Op. 23: IV. Pastorale e Gagliarda | Kurt Atterberg, Örebro Chamber Orchestra, Thord Svedlund, Mikael Bergek | A Major | 0 | 11B | 74 BPM | ||
Ballet Suite No. 1 (arr. L. Atovmyan): Romance (The Limpid Stream) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | F Major | 1 | 7B | 90 BPM | ||
Five Bagatelles, Op. 23: II. Romance. Andante tranquillo | Gerald Finzi, Michael Collins, Michael McHale | F Minor | 0 | 4A | 68 BPM | ||
Samson et Dalila, Op. 47, R. 288 / Act 3: Bacchanale | Camille Saint-Saëns, Orchestre de Paris, Daniel Barenboim | B Major | 3 | 1B | 94 BPM | ||
Octubre Rosa | Cecilia Foj | F Minor | 2 | 4A | 79 BPM |