Jan Sandström, Christian Lindberg, Roland Pöntinen's 'Song to Lotta: I' came out on May 9, 2023. With Song to Lotta: I being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Jan Sandström, Christian Lindberg, Símon Bolívar Symphony Orchestra, Roland Pöntinen's "Jan Sandström: A Composer´s Portrait" album is number 39 out of 51. On top of that, Sweden appears to be the country where this track was created. Song to Lotta: I is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Song to Lotta: I by Jan Sandström, Christian Lindberg, Roland Pöntinen to be Andante (at a walking pace) because the track has a tempo of 87 テンポ, a half-time of 44テンポ, and a double-time of 174 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ecos de Eternidad: II Poniendose en Forma II | Jan Sandström, Christian Lindberg, Pedro Carrero, Símon Bolívar Symphony Orchestra | B♭ Minor | 2 | 3A | 157 BPM | ||
褪色的秘宴 | HOYO-MiX | C Minor | 8 | 5A | 140 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: XIV. Tarantella (Allegro moderato) | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | G Minor | 0 | 6A | 140 BPM | ||
Missa Pontificalis: Benedictus | Lorenzo Perosi, Coro dell'Accademia Stefano Tempia, Michele Frezza, Massimo Nosetti | F Major | 0 | 7B | 144 BPM | ||
The Passing of the Year: No. 7. Ring out, wild bells | Jonathan Dove, Convivium Singers, Christopher Cromar, Neil Ferris | C Major | 1 | 8B | 89 BPM | ||
Dormir Profundamente | Music For child Relax | D Minor | 0 | 7A | 66 BPM | ||
Enigma Variations. Nimrod: Lux Aeterna | Edward Elgar, London Choral Sinfonia | E Major | 1 | 12B | 87 BPM | ||
Lux Aeterna: III. Largo | Rihards Dubra, Saxtett | G Minor | 0 | 6A | 60 BPM | ||
Coming Back for My Prison | Valhalla Orquestra, Bernard Canllant | D♭ Major | 8 | 3B | 166 BPM | ||
色褪せた饗宴 | HOYO-MiX | C Minor | 8 | 5A | 140 BPM |